Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Thursday, December 11, 2014

CD Review: Michael Mantler – The Jazz Composer's Orchestra Update

Nouvelle Cuisine Big Band (Conductor: Christoph Cech) – soloists: Michael Mantler (trumpet), Harry Sokal (tenor saxophone).
radio.string.quartet.vienna: Bernie Mallinger (violin), Igmar Jenner (violin), Cynthia Liao (viola), Asja Valcic (cello) + Bjarne Roupé (guitar), Wolfgang Puschnig (alto saxophone), David Helbock (piano)
(Review by Hugh C.)
Vienna born composer-trumpeter Michael Mantler recorded The Jazz Composer's Orchestra in 1968. First released on the orchestra's own label, this was later reissued by ECM. The album featured Mantler conducting a large jazz orchestra which included some of the luminaries of the time including: Cecil Taylor, Don Cherry, Roswell Rudd, Pharoah Saunders, Larry Coryell and Gato Barbieri.
In the process of digitising his catalogue, Mantler reacquainted himself with early scores, eventually envisioning fresh performances of not only this vintage material, but also including new versions of material from that period never previously recorded.
In The Jazz Composer's Orchestra Update Mantler has re-imagined his 1960s music for the 21st century, with the amplified radio.string.quartet.vienna added to the instrumentation along with the prominent electric guitar of Bjarne Roupé. They and the Nouvelle Cuisine Big Band were recorded live at Vienna's Porgy and Bess club in 2013.
The CD comes in at just under 55 minutes and comprises ten tracks, all composed by Mantler: Updates One, Eight, Nine, Eleven, Five, Six, Ten and Twelve – parts 1, 2 and 3.
I am not familiar with any of the original album and so come to this with fresh ears. You will have to be a lover of free improvisation to like this CD. I will nail my colours firmly to the mast – I am not! The sleeve notes contain an in depth interview with Michael Mantler. In response to the question: “Has the ratio of composition to improvisation changed from the original album to the new one” he replies: “Very much so. Even though the original idea was, even then, to control and somewhat limit what were, in my opinion, the excesses of free improvisation...” well I think we can agree there! His aim, in the new realisation was to “create a continuity that melds improvisation and composition into one homogeneous work”.
I think he has achieved this aim. There are periods of (composed) breathtaking beauty for both small ensemble and big band, interspersed with raucous cacophony. The CD probably needs to be listened to as a whole, end to end, rather than selectively. The track breaks are hardly noticeable if one is not watching the CD player display.
Overall then, I think this release will fill a niche and will probably appeal to those with an interest in Mantler's previous work (including the 1968 original). The jazz enthusiast with a liking for the big band sound, but with a more experimental twist, is also likely to be rewarded.
The Jazz Composer's Orchestra Update is available on the ECM Label Catalogue Number 379 0789.
Hugh C.

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