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Bebop Spoken There

John McDonough (reviewing Bright Red Dog’s In Vivo): “When you improvise on nothing, that’s what you get”. - DownBeat August 2021

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,508 (and counting) posts since we started blogging 13 years ago. 926 of them this year alone and, so far, 90 this month (July 27).

From This Moment On

Thu 29: Vieux Carré Jazzmen @ The Holystone North Tyneside. 1:00pm.

Thu 29: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Sat 31: Lindsay Hannon @ Prohibition Bar, Newcastle. 8:00pm. Lindsay previews new, original material.

Sat 31: jakTar + Johnny Richards @ Lit & Phil, Newcastle. 8:00pm. JNE promotion.

August

Sun 01: Vieux Carre Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sun 01: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm. Leeds College of Music graduate guitarist (Masters, Jazz Performance & Composition).

Wednesday, November 20, 2013

Bill Wyman's Rhythm Kings @ Sage Gateshead November 19

Bill Wyman (bs gtr); Frank Mead (sax/vcl/hca) Nick Payn (sax/hca); Geraint Watkins (keys/vcl); Albert Lee (gtr/vcl); Terry Taylor (gtr/vcl); Graham Broad (dms); Beverly Skeete (vcl) + Maria Muldaur (vcl).
Good old fashioned Rock & Roll, Rhythm & Blues, Soul, Blues, Jazz - you name it, you got it!
Vocals galore and mind-blowing solos to boot. The only thing that puzzled me was why weren't the audience boppin' and jivin' in the aisles? Then I looked about me - there were as many grey hairs and bald pates as you get at the average north-east jazz concert. More in fact as Hall One, whilst not full to the rafters, had a respectably crowded two tiers with a sprinkling on the third.
This was fun with the two saxes not only laying down the jazz but choreographing their riffs like a 1940s band at Harlem's Apollo Theatre. Both horns doubled on blues harp, jaw harp and Mead had a few vocal blasts as well. Likewise guitarists Lee and Taylor sang the blues and burned the fretboard. Taylor also proved to be a raconteur of the first order getting plenty laughs.
Watkins, depping for an ailing Georgie Fame, also drew the belly laughs as well as the plaudits for his keyboarding and singing.
Beverly Skeete continues to add beauty and vocal skills to the ensemble whilst special guest Maria Muldaur added her own personality to the shebang.
Could it really be 40 years since Midnight at the Oasis? Maria wears it well.
Wyman? Cool, laid back, he did the job and absorbed the jokes - "He's on Sanatogen and Ovaltine" quipped Taylor.
Set list: (1) Chicken Shack (Watkins); Do You Like Soul Music? (Beverly); Good Mornin' Captain (Lee); Just Your Fool (Mead); I'm A Woman, Steady Love; I'll Be So Glad (3 x Maria); Time is on my Side (Watkins); Talk to me Baby (Taylor); Jitterbug Boogie (Lee); Good Rockin' (Beverly/Maria).
(2): It's a Man's World (Beverly); Sugar Babe (Mead); Jump Jive (Lee); 300 lbs of Joy (Watkins); I'll be Satisfied (Beverly); Race With the Devil (Taylor/Lee); Rich Man's Woman's Blues; Midnight at the Oasis; Don't You Feel My Leg (3 x Maria); Johnny B. Goode (Watkins); I Just Want to Make Love to You (Beverly).
There was, no doubt an encore or six, but I was satisfied with what I'd heard and the bus beckoned.
Very enjoyable evening for those who can cross the genres.
Lance.

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