Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 04, 2012

NHAM @ Morden Tower. May 3

Tony Bevan (bass & soprano saxophones), Jeb Bishop (trombone), John Edwards (double bass) & Michael Zerang (drums)
Left field back alley turreted venue Morden Tower has played host to many a big name transatlantic musician or poet. Americans Jeb Bishop (trombone) and drummer Michael Zerang from the Chicago free scene added their names to the illustrious guest book. They were in the company of two key figures from the UK; double bassist John Edwards (a frequent visitor to Tyneside) and Tony Bevan (reeds). 
The West Walls space is unlicensed so it has always been a case of bring your own (on this occasion Belhaven 80 Shilling). 
A select gathering heard two untitled pieces from the quartet. Freely improvised? Not quite. Perhaps a conversation over a pint as to how the piece will be structured and develop and with years of playing this stuff it somehow works out. Bishop’s trombone (for the most part muted) led the quartet in a given direction, Bevan’s bass saxophone followed then diverted (he played some killer soprano), bassist Edwards produced his usual energetic performance and Michael Zerang gave a masterclass in free jazz percussion.
Russell.

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