Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Saturday, May 12, 2012

Lyndsay Hannon Plus at Hoochie Coochie Thursday May 10

Lindsay Hannon (vcl); Alan Law (pno); John Pope (bs); Mark Robertson (dms).
(Review by Ann Alex).
How do I write a review of a gig performed by my jazz-singing class teacher?  Such a task could be embarrassing, but there’s no problem with this band because I knew they’d be good and they were, (and then some, as Lance would say)!
Some of the band had come straight from other commitments, such as work, but they zoomed into jazz mode with no messing about, beginning with an inventive chorus of There’ll Never Be Another You’, complete with keys and bass solos and introductions of the band members from Lyndsay.  How she manages to sing miles away from the original tune and yet still connect with it is an enviable skill, intriguing to listen to.  
The mood of the set was then indicated by the Joni Mitchell song which followed, showing that there would be far more than gasbook material tonight.  This song included a delicious bass solo and some lovely bowing to finish with.  An unusual, yet confident, zippy, fast version of The Very Thought of You preceded  a heartfelt The End of  a Love Affair.  By now we were in a bluesy mood, and so came The St. Louis BluesI Hate to See The Evening Sun Go Down etc., with Alan on keys giving us rich groaning bluesy riffs.
Other numbers included a gentle-voiced Old Fashioned Hat; and So Long Bigtime; (all about gambling); a creepy slinky version of The Doors song Spy; In Walked Bud; Nature Boy; Burgundy Sky; and the final number What a Little Moonlight Can Do; with a neat tempo change, which was much admired by the musician sitting next to me, and with lots of fast and furious word play, which was much admired by myself, me being a wordy sort of person.  So there was something for everyone and a good selection of songs.  I haven’t mentioned the drummer, but he was noticeably clever, with more solo work in the second half, which seems to be how drummers like it.  There was a fair sized audience who appeared to be mostly non-jazzers, but they clapped enthusiastically..
Ann Alex. 

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