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Bebop Spoken There

Johnny Barnes: "Henry 'Red' Allen loved Newcastle Brown Ale" - (Jazz Journal December 1998.)

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Today Thursday March 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Blues

Mo Scott Blues Band - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz

Andy Lawrenson Trio - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free.

Tees Hot Club w. Dave Stansfield (tenor sax); Donna Hewitt (alto sax); Ted Pierce (piano) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 08, 2012

Ernie Watts Quartet/Ronnie Scott All-Stars @ Ronnie Scott's

Ernie Watts (ten); Christof Seenger (pno); Rudi Engel (bs); Heinrich Koebberling (dms).
(Review by Lance)
A near capacity Ronnie's were duly captivated by the astonishing tenor playing of Ernie Watts. Think Hank Mobley, then Coltrane, Brecker and maybe a few others and you're getting the idea. His technique is prodigious but it isn't all technique. Watts can be doing Formula One with the pedal pressed to the floor and then, he's taking a stroll in the park, before revving up the motor again.
I swear he's got six fingers on each hand! This is a guy surely at the pinnacle of his career exploring every tonal inflection and combination lesser mortals can only dream of!

Oasis, the title track of his current CD and nothing to do with the pop group of the same name began as a probing, haunting melody, full of Eastern Promise before exploding in a cascade of notes and sounds. The Wow Factor was high. As it was indeed with pianist Seenger's solos. It was as if Czerny had met Art Tatum at Oscar Peterson's. Later they indulged in some contrapuntal interplay sans bass and drums that topped just about everything.
The Beatles' Blackbird seems to be in vogue among jazzmen these days - Am I the only one who's never heard The Beatles' version?
Johnny Mandell's You Are There was mainly unaccompanied balladry - beautiful.
However, the highlight for me had to be 'Shaw Nuff. This was the solo to end all bebop solos - it went off the edge of the Wow Factor Scale!
Piano, bass and drums did their bit but tonight belonged to Ernie Watts.
Earlier the Ronnie Scott All-Stars opened up. Alex Garnett (alto); Phil Peskett (pno); Sam Burgess (bs); Pedro Segundo (dms).
It too was a lovely set - particularly I Only Have Eyes For You played in 7/4! "Imagine doing a foxtrot with a limp" was how Garnett described it! It was fun. He too is a superb sax player and the closer - Monk's Evidence - set the scene perfectly for what was too follow.
I'd like to have stayed for the Late Set but I was beginning to flag and it had been a long day.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance