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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Rockafellas - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Bradley Johnston Trio + Giles Strong Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00.

Dan Garel & Friends - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm (doors). £6.00. (£3.00. student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 14, 2012

Joe Jackson to release brand new studio album “The Duke” A tribute album to Duke Ellington Released by earMUSIC on July 23rd 2012 on CD and 12” Vinyl

earMUSIC, the Hamburg based rock label which is part of Edel Group, is proud to announce the release of “The Duke”, a tribute to jazz icon Duke Ellington. Though “The Duke” is a tribute album, it's also very much a Joe Jackson album, consistent with his long-standing sense of musical adventure.
"I revere Duke Ellington, but I didn't want this to be a reverent album," Joe Jackson says of “The Duke”, his new tribute to American jazz giant Ellington.


True to Jackson's word, “The Duke” is a decidedly unconventional salute to Ellington, demonstrating the timeless brilliance of his classic compositions while showcasing Jackson's sublime skills as an arranger, instrumentalist and vocal interpreter. Although it's only the second time he's recorded an album not comprised of his own compositions, “The Duke” is nonetheless a deeply personal project for Jackson, whose longstanding affinity for Ellington's pioneering spirit has served as a key inspiration throughout his own three-decades-plus career. 
The Duke” finds the iconoclastic English singer/composer/arranger/keyboardist and five-time Grammy nominee interpreting 15 Ellington classics over the course of ten tracks, interspersing melodic and rhythmic elements of various compositions in a manner that's consistent with Ellington's own freewheeling approach. Rather than emulating the songs' original big-band settings, Jackson filters the material through his own musical imagination while exploring an assortment of unexpected grooves and textures. The resulting album is a seamless fusion of sounds and styles, whose abundant sense of playfulness is consistent with Ellington's boundary-breaking attitude.

"Ellington didn't consider his own arrangements to be sacred," Jackson notes. "He constantly reworked them, sometimes quite radically. So I think my approach is in the spirit of the man himself."
Jackson’s distinctive voice is featured on “I’m Beginning To See The Light”, “Mood Indigo”, and I Got It Bad (And That Ain’t Good)”, while It Don’t Mean A Thing (If It Ain’t Got That Swing)” finds him trading vocals with punk icon Iggy Pop. R&B diva Sharon Jones, meanwhile, shines with a soulful I Ain’t Got Nothin’ But The Blues”. In keeping with Ellington’s multiculuralism, Jackson also encouraged Iranian singer Sussan Deyhim to perform a soaring Caravan” in Farsi, and Lilian Vieira, of the Brazilian/Dutch collective Zuco 103, to create a sunny, sexy Portuguese version of Perdido”.
The album’s striking mix of electronic and organic textures is especially evident on instrumentals like Isfahan”, “Rockin’ In Rhythm”, “The Mooche”, and Black and Tan Fantasy”. The musicians include two contemporary jazz stars, violinist Regina Carter and bassist Christian McBride; rock guitar hero Steve Vai; drummer Ahmir ‘?uestlove’ Thompson and other members of The Roots; and two of Jackson’s old associates, guitarist Vinnie Zummo and percussionist Sue Hadjopoulos. The album was recorded and mixed by the legendary, 7 time Grammy winner Elliot Scheiner (Steely Dan, Sting, Bob Dylan).
"When I started this", Jackson says, "It felt a little daunting - like, how am I gonna pull this off? But it started to pick up momentum, and took on a life of its own. I got to work with people I never thought I'd be able to get, and they were all extremely enthusiastic and supportive of the project. It all came together in a way that surpassed my expectations. And it's been a hell of a lot of fun."
Tracklist
1. Isfahan
2. Caravan
3. I’m Beginning To See The Light / Take The ‘A’ Train / Cotton Tail
4. Mood Indigo
5. Rockin’ In Rhythm
6. I Ain’t Got Nothin’ But The Blues / Do Nothin’ ‘Til You Hear From Me
7. I Got It Bad (And That Ain’t Good)
8. Perdido / Satin Doll
9. The Mooche / Black And Tan Fantasy
10. It Don’t Mean A Thing (If It Ain’t Got That Swing)
 Lance. (Sounds interesting. A review will appear nearer the July 23 release date.)

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance