Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, November 04, 2011

The Bud Tones at Hoochie Coochie Thursday 3rd November 2011

Fiona Littlewood (vcl/ten); Stu Findon (ten); Tim Knowles (gtr); Eric Mckenzie Stutt (dms); Harley Johnson (pno); Jim Crinson (dbl/elct bass).
Arriving late, I rushed in to the sounds of Psychedelic Sally . Next up was The Message which lost none of its funk from the previous number. Fi switched from mic to sax for this one. On came the interval and time for the band to mingle. The bar had plenty of punters and also a fair few musos to boot..
Second set kicked off with a very lively Cheesecake. Eric was swinging like a trouper, I don't know how he does it! Harleys turn to solo and it was great, his improvisation on this made total sense..
Fiona showed her multi-tasking abilities by singing and blowing sax on an original piece Stu's Blues albeit not at the same time. This girl's confidence is growing fast. As usual Stu's soloing was imaginative and smooth throughout, a real gem. Harley's original (of which I'm afraid I don't know the name) was heavy with Monk's influence yet still intriguing, kept strong by Jim's solid upright playing. His electric was sitting by the side and I wondered if I'd missed the chance of hearing him play it again. I fretted that I'd missed his nimble finger work by arriving late. I was wrong, it was back with a vengeance for 'The Jody Grind..You Don't Know What Love Is is a song I've heard Fiona sing so many times now but it never fails to impress me, it really shows the jazz element in her voice.. And here it was,, the solo I'd been waiting for from Tim Knowles. Boy, this guy knows how to funk up The Jody Grind. It was only a shame it didn't last longer.More tunes followed but to save my blathering on I'll leave it with this... a thoroughly enjoyable evening, this band gets better every time I hear them.
Claire Kelly.

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