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Bebop Spoken There

Pat Metheny: "The best guitar player I've heard in maybe my entire life is floating around now, Pasquale Grasso." - (Vintage Guitar Magazine February 2016)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,359 (and counting) posts since we started blogging 13 years ago. 777 of them this year alone and, so far, 51 this month (June 13).

From This Moment On

JUNE

Wed 16: Washboard Resonators @ Punch Bowl Hotel, Jesmond, Newcastle (8:00pm). SOLD OUT!

Thu 17: Vieux Carré Jazzmen @ The Holystone, North Tyneside (1:00pm).

Thu 17: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 18: Jazz Jamaica @ Sage Gateshead (8:00pm).

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20 Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop. SOLD OUT. Livestream available from £7.50.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thursday, November 10, 2011

Convergence Quartet @ The Lit & Phil, Newcastle.

Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dom Lash (double bass) & Harris Eisenstadt (drums)
The Convergence Quartet first played Newcastle some four years ago. This return visit was, for some, an eagerly anticipated event. North Americans Taylor Ho Bynum (a disciple of Anthony Braxton) and Canadian drummer Harris Eisenstadt met up once more with Brits Alexander Hawkins (piano) and bassist Dom Lash.
Sheet music littered the Lit and Phil's music room, music stands taking the strain under reams of paper. Structured sections formed the basis from which improvisations developed. And what improvisations they were! Bynum, a masterful brass player, incorporated so many elements, so many influences in his playing; the free players - Bill Dixon, Don Cherry certainly, Miles, Dizzy, Clifford without question, then there was Louis and King Oliver. Harmon and plunger mutes were used to great effect. Crescent City slurs and growls gave way to Cool School Miles and on to today (the sound of Taylor Ho Bynum).
Pianist Hawkins, from a classical background, possesses flawless technique and he too gave a brilliant display. Twentieth century contemporary lyricism soon gave way to fierce bop lines of which Bud Powell would have been proud. The music was of the highest order, the playing sincere and impassioned.
Drummer Harris Eisenstadt, a master musician of quiet demeanour, listened intently to his compatriots on the stand, responding to and frequently initiating a change of direction as the music developed.
Double bassist Dom Lash worked as an equal partner in the quartet pulling it this way then that. All four swung mightily at times not least on a powerful blues to conclude a gig that will be recalled fondly in years to come by those fortunate to be present.
The concert was a Jazz North East presentation assisted by the good offices of the Literary and Philosophical Library. The next concert at the venue brings together two of the greats of the free jazz world. American saxophonist and pianist Charles Gayle will be in the company of Dutch percussion master Han Bennink on Friday 18th November (8:00 pm). It promises to be a great occasion.
Russell.

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