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Bebop Spoken There

Tony Fisher: In the heyday of that scene [the1960s] there were about 120 musicians in London who did everything and of course, if you made a mistake you were never called again." - (Jazz Journal online, 19 September 2019).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, November 04, 2011

Brass Jaw @ The Lit & Phil. November 3rd

Paul Towndrow (alto saxophone), Konrad Wiszniewski (tenor saxophone), Allon Beauvoisin (baritone saxophone) & Ryan Quigley (trumpet)
The Literary & Philosophical Library in Newcastle is the oldest private members' library outside of London. Down the years artists, writers, musicians, inventors, political figures, thinkers and others have visited the impressive rooms of this hidden gem of a building. In the early years of the 21st century add jazz musicians to the list of luminaries.
Brass Jaw - three saxophones, one trumpet - travelled south from Glasgow and east from Dublin. The Irish connection being that tenor player Konrad Wiszniewski negotiated a night off from his nice little earner touring the world with a pop megastar to come to Newcastle to play with his Scottish buddies. Now there's a guy who's got his priorities right!. Brass Jaw, albeit with a trumpeter, are from the long tradition of the saxophone quartet (World Saxophone Quartet, 29th Street Quartet, Saxophonics - to name but three). The Lit & Phil's first floor library with its wrought iron spiral staircases and balustrades and shelves upon shelves of books made for a highly unusual setting.
The quartet chose to play acoustically, the musicianship was of the highest order throughout two entertaining sets of original compositions and contemporary standards. The original material came from Brass Jaw's latest CD Branded. All four members of the quartet contributed material ranging from ballads to bop. Ryan Quigley's trumpet added pathos; a blues feel was never too far from the surface. Baritone saxophonist Allon Beauvoisin had such mastery of his instrument that lightening-fast bop lines were well within his capabilities. Towndrow and Wiszniewski played some killer solos and the whole performance exuded warmth, shot-through with humour. Any gig that can get away with the inclusion of versions of Drive My Car (The Beatles) andPeaches on Regalia (Frank Zappa) has got to be good and this was one such occasion.
Russell.

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