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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, October 30, 2011

Matt Anderson Quartet @ The Bridge Hotel

Matt Anderson – Tenor, Aubin Vanns – Guitar, John Marley – Bass, Sam Gardner – Drums.
Opening up with I Remember You it soon became apparent that this band was original even when playing non originals! The standard was played with an oblique almost Tristano-like ethereal approach and, in truth, Anderson's dry sound did, at this stage, have a hint of Warne Marsh to it.
A series of original originals followed most of which I'd heard either at Scarborough or on downloads so the pieces had a degree of familiarity about them. Cold Spell, despite the title, saw the tenor sound become distinctly warmer and the ideas seemed to flow effortlessly from both sax and guitar. My Ideal was given a more lyrical interpretation than the previous standard and was none the worse for that. The set closed with Free Into Edinburgh a somewhat ambiguous title from guitarist Vanns that built up in intensity to a frenzied climax. A good first set.
A pint of The Bridge's own brew (Castle Brown - not to be confused with...) went down well before it was back up the stairs - in this case it was in fact a Stairway To The Stars which followed Jamil Sherif's Contentment. 
The final number, inspired by the Island of Skye, did not 'speed like a bird on the wing' instead it began as a doom laden affair that seemed to take about 3 weeks to build up into a compelling opus. It was worth the wait! All four players contributed with a special mention of Gardner's drumming which was rock solid in both solos and time. On bass, Marley did the necessary without flamboyance.
Afterwards met Kate Peters who informed me her band play Hoochie Coochie in February - one to look out for.
Next week Splinter present Gary Boyle and Chameleon.  
Lance.

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