Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Sat 25: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner. Cheek to Cheek - Ella Fitgerald. Enrol at: learning@jazz.coop.
Sat 25: Red Kites Jazz @ Costa Café (within Next), MetroCentre, Gateshead. 2:00-3:00pm. Free.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free. CANCELLED!
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Bright Street Big Band @ Sandhaven Amphitheatre, South Shields. 3.30-5.30pm.
Sun 26: Jo Harrop & Jamie McCredie @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.
Sun 26: King Bees @ Luckies, Jesmond, Newcastle. 8:00pm. Free. Chicago blues.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

Saturday, October 08, 2011

Hoochie Coochie Man

On Thursday evening we enjoyed the Mark Toomey Quartet at the newly opened “Hoochie Coochie” in Newcastle. I have not had time to do a review (we have builders in and all is chaos!) but would like to comment briefly on the venue itself…..….which is excellent! The proprietor has clearly put a great deal of thought (and money) into the creation of a centrally-located bar which is ideally set up for live music while at the same time being comfortable, chic and stylish.

It has the potential, I believe, to bring jazz to a wider audience than is found at many of the gigs we attend. At 8.00 p.m. there were plenty of people in and, although groups of drinkers came and went, there was always a good crowd.

Most of the people there were probably NOT there for the jazz – they were just making one stop as they toured the city-centre bars. The applause at the end of each number was evidence that they liked what they heard. One couple who came near the end (definitely not for the jazz) were deep in conversation and gazing into each other’s eyes when a particularly good solo stopped them in their tracks and they turned to watch in rapt attention! A venue which gets people in and then gets them to engage with jazz (however briefly) can only be a good thing, surely?

Jerry.

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