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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 19, 2010

A Night With Sinatra - Matthew Ford w. Northern Sinfonia conducted by John Wilson @ The Sage

Northern Sinfonia augmented by: Matt Skelton (dms), Colin Oxley (gtr), Jeremy Brown (bs), Howard McGill, Mark Crooks, Luke Annesley, Ollie Wilby, Jay Craig, (reeds), Matthew Regan (pno/celeste).
As someone who thinks Frank Sinatra was 'The Voice' of my lifetime it is difficult to be objective about tonight's performance which played to a rafters packed Sage Hall One.
Matthew Ford, to my delight, didn't try to be yet another Sinatra clone but sung the tried and tested classics in a manner just far enough removed from the original to avoid comparison.
Most of the material was from 'The Capital Years' with the luscious Nelson Riddle arrangements serving as the cushion for an evening of sheer delight.
In truth, the jazz content was non-existant but it didn't matter - it wasn't a jazz audience - these were people who loved Sinatra, and quality popular music. Add the Northern Sinfonia, conductor John Wilson riding high on his Proms popularity, a fine singer and the greatest songs ever written - if this combination had failed then music as we know it would truly have died!
I'm not going to list the wonderful moments instead I'll refer you to the program posted earlier this week. However, London By Night - the Robert Farnon arrangement - really made me want to be strolling through 'Circus and Square' with someone special whilst I've Got You Under My Skin added to that feeling.
One minor quibble - John Wilson, who conducted magnificently and shared spoken intros with Matthew Ford made one tiny faux pas.
He introduced the Jimmy McHugh song Where Are You? and placed the emphasis on 'Are' rather than 'Where'!
Nitpicking I know but this was such a perfect night I wanted everything to be right - and it was 99.999%
For an encore the, I suppose, inevitable, New York, New York.
Start spreading the news...
Lance.

2 comments :

Russell said...

Hi Lance

A top line up of jazz players with the Northern Sinfonia. I was at the Brdige Hotel at the time. What's the solution to not being able to be in two places at the same time?

Russell

Liz said...

Well Russell the solution is simple, get the Webmaster to write a cracking review of the one you couldn't make!!
Liz

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance