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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Saturday May 18

Afternoon

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Early Bird Band - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 11:00am. £2.00.

Sweet & Hot - St Augustine's Parish Centre, Larchfield St., Darlington DL3 7TG. 12:30pm. £10.00. Jeff Barnhart, Spats Langham, John Hallam, Graham Smith, Anne Barnhart.

Duo workshop: Faye MacCalman & John Pope - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461. 3:00pm. £10.00. & £8.00. JNE.

Jazz

Jamie Mackay - Gallagher & Turner, St Mary's Place, Newcastle NE1 7PQ. 7:00-11:00pm. Free. 'The Late Shows' - guitarist Mackay performing at intervals.

Northern Monkey Brass Band - Newcastle City Library, New Bridge Street West, Newcastle NE1 8AX. 7:00-11:00pm. Free. 'The Late Shows' - NMBB performing at intervals.

Paul Taylor - Victoria Tunnel, Ouse Street, Ouseburn, Newcastle NE1 2BE. Tel: 0191 230 4210. 7:30pm. Tickets: £10.00.

Eliot Smith Dance: Triple Bill - Everyman Theatre, O'Hanlon St., Spennymoor DL16 6RY. 7:30pm. £14.00. (£12.00. cocns., £30.00. family). Programme inc Poppy composed by Jason Holcomb.

Blues/Funk/Soul

Jools Holland’s R & B Orchestra - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 7:30pm. £42.0. & £36.50.

Groove-a-matics - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, August 23, 2010

JC says...

Having just come back from holiday, I want to add some comments on three gigs I saw before I went away as they were all memorable in different ways. Each was presenting different styles of jazz, in three different venues, organised by three different groups and they were all great.
Firstly, the Ayanna gig was sensational and well done to Schmazz for taking a chance on putting it on in August. The combination of her voice (which seemed to me more Cassandra Wilson / Mahalia Jackson than Joni Mitchell) and the constantly interesting variety of the musical accompaniment created something that was unique. I don’t think I’ve heard a mixture of uileann pipes, low whistle and plucked cello in a jazz context before. Her songs were wonderfully constructed and presented. I could have happily sat through another whole show. You can find the beast in many places, but such beauty is rare.
Another was the Jo Harrop session at the Cherry Tree restaurant, which was a wonderful presentation of the jazz singer’s art (with a great band as well). Did she sing ‘Give me a pigfoot and a bottle of beer’, Lance, or was that the menu? I think it’s worth saying that the Cherry Tree has now become the place to go for jazz on a Monday night – it’s like Pizza Express in London, except with much better food.
The third was, of course, the tribute to Chris Yates in the Corner House, which was an incredible collection of jazz musicians. As you have described, the place was packed and buzzing. The last group was particularly electrifying and when they were urging each other further and further in the choruses of Anthropology, it was a bit like the scenes Jack Kerouac described in his books of the atmosphere in New York jazz clubs when Bird and Dizzy were playing:
‘...hearing a wild tenorman bawling horn across the way, going ‘EE-YAH! EE-YAH! EE-YAH!’ and hands clapping to the beat and folks yelling ‘Go, go, go!’....the tenorman was blowing at the peak of a wonderfully satisfactory free idea, a rising and falling riff that went from ‘ee-yah!’ to a crazier ‘ee-de-lee-yah!’ and blasted along to the rolling crash of butt-scarred drums...
“On the Road".’
All fantastic stuff!
JC

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