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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 05, 2010

Harry Klein - very much a jazz death

I've learned, rather belatedly, of the death of British baritone player Harry Klein aged 81. The first of the British baritone hierarchy, that continued through Ronnie Ross and John Surman, Harry died on June 30 but his obits only seem to have appeared this week in Jazz UK and Wednesday's Guardian. A fine player who moved in the very fast circle of Tubby Hayes, Ronnie Scott, Vic Ash, Jimmy Deuchar and other stalwarts of the British '50s/60s modern scene. Sadly missed.
Obituary. Lance.

3 comments :

Trevor said...

I loved Harry's playing - in an age of Mulligan soundalikes Harry had his own very individual style. His playing always cheered you up. Even ballads were always cheerful -nothing maudlin as you could so often get in the work of Mulligan and Lars Gullin.
There is an especially ungrateful obituary written by Mark Gilbert in the September 2010 Jazz Journal. As Mr Gilbert probably wasn't even born when Harry's career was at it's peak, I think it can be taken with more than one grain of salt.
Even in 2010 there are players who try to sound like Mulligan, not themselves. One British player, who out of pity, I won't name, has even made four CDs trying to recreate the Mulligan quartet.
RIP Harry.
Trevor

Lance said...

I have an old 10" lp by Kenny Baker called Operation Jam Session. During the course of a Ballad Medley Harry plays a sumptuous version of 'Sweet and Lovely' - magic!
I'll have to check the JJ obituary out - why speak ill of the dead?

Trevor said...

I know the record, Lance (it also came out as an EP on its own, the ballad medley that is.)

Earlier this year some 1955 Harry Klein was reissued by Vocalion on "Jazz Today" (CDNJT 5314), two EP's "Brash Baritone", a quartet session and "Baritone Saz" a quintet with Vic Ash. The rest of the CD has tracks by Vic (on clarinet throughout) and Buddy Feartherstonehaugh(ironically "doing a Mulligan").

The part of Mark Gilbert's obituary that offended me was
in mentioning that Harry was placed third in the Melody Maker Poll of 1955 behind Gerry and Lars,"the latter accolade, some would say, skewed on account of Klein's high visability at the time among London-based readers of the MM".

What Gilbert doesn't seem to understand is that the 1955 Poll, for example, would have been based on the jazz scene of 1954 and in that year though Ronnie Ross had come onto the scene, he was for much of that year, playing tenor sax, he switched to baritone when he worked with Don Rendell. In any case, with all due respect to Ron, he was very much a Mulligan-type player, as his first two records "Double Event" (1958) and "Jazzmakers" with Allan Ganley (1959) - he really didn't find his unique voice till the 60s, and "Cleopatras Needle" (Fontana, 1968) proves that, but back in 54/55 Harry was unique in having an individual sound

Trevor

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