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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Thursday, August 05, 2010

Harry Klein - very much a jazz death

I've learned, rather belatedly, of the death of British baritone player Harry Klein aged 81. The first of the British baritone hierarchy, that continued through Ronnie Ross and John Surman, Harry died on June 30 but his obits only seem to have appeared this week in Jazz UK and Wednesday's Guardian. A fine player who moved in the very fast circle of Tubby Hayes, Ronnie Scott, Vic Ash, Jimmy Deuchar and other stalwarts of the British '50s/60s modern scene. Sadly missed.
Obituary. Lance.

3 comments :

Trevor said...

I loved Harry's playing - in an age of Mulligan soundalikes Harry had his own very individual style. His playing always cheered you up. Even ballads were always cheerful -nothing maudlin as you could so often get in the work of Mulligan and Lars Gullin.
There is an especially ungrateful obituary written by Mark Gilbert in the September 2010 Jazz Journal. As Mr Gilbert probably wasn't even born when Harry's career was at it's peak, I think it can be taken with more than one grain of salt.
Even in 2010 there are players who try to sound like Mulligan, not themselves. One British player, who out of pity, I won't name, has even made four CDs trying to recreate the Mulligan quartet.
RIP Harry.
Trevor

Lance said...

I have an old 10" lp by Kenny Baker called Operation Jam Session. During the course of a Ballad Medley Harry plays a sumptuous version of 'Sweet and Lovely' - magic!
I'll have to check the JJ obituary out - why speak ill of the dead?

Trevor said...

I know the record, Lance (it also came out as an EP on its own, the ballad medley that is.)

Earlier this year some 1955 Harry Klein was reissued by Vocalion on "Jazz Today" (CDNJT 5314), two EP's "Brash Baritone", a quartet session and "Baritone Saz" a quintet with Vic Ash. The rest of the CD has tracks by Vic (on clarinet throughout) and Buddy Feartherstonehaugh(ironically "doing a Mulligan").

The part of Mark Gilbert's obituary that offended me was
in mentioning that Harry was placed third in the Melody Maker Poll of 1955 behind Gerry and Lars,"the latter accolade, some would say, skewed on account of Klein's high visability at the time among London-based readers of the MM".

What Gilbert doesn't seem to understand is that the 1955 Poll, for example, would have been based on the jazz scene of 1954 and in that year though Ronnie Ross had come onto the scene, he was for much of that year, playing tenor sax, he switched to baritone when he worked with Don Rendell. In any case, with all due respect to Ron, he was very much a Mulligan-type player, as his first two records "Double Event" (1958) and "Jazzmakers" with Allan Ganley (1959) - he really didn't find his unique voice till the 60s, and "Cleopatras Needle" (Fontana, 1968) proves that, but back in 54/55 Harry was unique in having an individual sound

Trevor

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