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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 17: John Pope & John Garner + Nisha Ramayya @ Cluny 2, Newcastle. 7:30pm (doors). £15.00. (£12.00. adv.). A Gem Arts Masala Festival event.

Thu 18 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 18: Theo Croker @ The Glasshouse, Gateshead. 8:00pm.
Thu 18: Brad Linde’s Continentals @ The Globe, Newcastle. 8:00pm.
Thu 18: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 18: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:00pm. Rhythm & blues.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Darlington Big Band.

Fri 19: Luis Verde with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Luis Verde with the Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 19: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Tuesday, August 10, 2010

Ayanna - Schmazz @ The Cluny.

Ayanna (vcl/cello), Fraser Fitfield (sop/ various low whistles/pipes etc.) Robert Mitchell (pno).
An expressive, captivating voice, personality, stage presence, a voice that brings to mind Joni Mitchell - rich and vibrant - and a full sonorous sound on cello that's Ayanna.
Add piano wiz Robert Mitchell and piping, low whistling saxophonist Fitfield it is little wonder that The Cluny was exceptionally well attended - I detected but one empty seat!.
Some reflective piano from Robert led to an entrance by Fraser Fitfield playing the small pipes as he meandered through the hall to the stage - shades of the Rollins at Ronnie's legend!
Ayanna, attractive with an air of fragility, took centre stage with a series of originals that displayed her ability - not just as a singer and cellist but also as a composer. It was gorgeous but, by the end of the set, I was ready for a break - too much beauty and not enough beast.
Robert Mitchell played soulfully with only the slightest hint of the Kalishnikov-like bursts of rapid fire for which he is known. Tonight it was his melodic/explorative side to the fore.
Despite his earlier entry playing the pipes and some nice work on a curved soprano (sax!) it was on the un-keyed low whistle that Fraser really shone producing a sound as mellow as any concert flute.
The second set saw more of the same and the ensemble deserved the rapturous applause at the end.
For myself, perhaps a little more variety of tempo would have helped but hey! don't get me wrong I enjoyed every minute of it and, if I'd been going to New York in, I think Ayanna said, October I'd be up on the second balcony of Harlem's Apollo Theatre rooting for the girl!
Photos.
Lance.

2 comments :

Serious said...

Thanks for the great review! Sounds like a brilliant end to the tour.

Anonymous said...

Hi Lance,

Having just come back from holiday, I want to add some comments on three gigs I saw before I went away as they were all memorable in different ways.

Firstly, the Ayanna gig was sensational. The combination of her voice (which seemed to me more Cassandra Wilson / Mahalia Jackson than Joni Mitchell) and the constantly interesting variety of the musical accompaniment created something that was unique. I don’t think I’ve heard a mixture of uileann pipes, low whistle and plucked cello in a jazz context before. I could have happily sat through another whole show. You can find the beast in many places, but such beauty is rare.

Another was the Jo Harrop session at the Cherrytree restaurant, which was a wonderful presentation of the jazz singer’s art (with a great band as well). Did she sing ‘Give me a pigfoot and a bottle of beer’, Lance, or was that the menu? I think it’s worth saying that the Cherrytree has now become the place to go for jazz on a Monday night – it’s like Pizza Express in London, except with much better food.

The third was, of course, the tribute to Chris Yeates in the Corner House, which was an incredible collection of jazz musicians. The last group was particularly electrifying and when they were urging each other further and further in the choruses of Anthropology, it was a bit like the scenes Jack Kerouac described in his books of the atmosphere in New York jazz clubs when Bird and Dizzy were playing:

‘...hearing a wild tenorman bawling horn across the way, going ‘EE-YAH! EE-YAH! EE-YAH!’ and hands clapping to the beat and folks yelling ‘Go, go, go!’....the tenorman was blowing at the peak of a wonderfully satisfactory free idea, a rising and falling riff that went from ‘ee-yah!’ to a crazier ‘ee-de-lee-yah!’ and blasted along to the rolling crash of butt-scarred drums...
“On the Road’

All fantastic stuff!

JC

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