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Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday September 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Sunday Jazz in the Crypt - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00-6:00pm. £12.00. + bf. Line-up: Noel Dennis Trio + Emma Johnson’s Gravy Boat + Anthony Strong.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue Trio - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. Tel: 01325 468411. 5:00-7:00pm. Free.

Blues/Funk/Soul

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Paper Moon Trio - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.

Fabled - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 10, 2010

Ayanna - Schmazz @ The Cluny.

Ayanna (vcl/cello), Fraser Fitfield (sop/ various low whistles/pipes etc.) Robert Mitchell (pno).
An expressive, captivating voice, personality, stage presence, a voice that brings to mind Joni Mitchell - rich and vibrant - and a full sonorous sound on cello that's Ayanna.
Add piano wiz Robert Mitchell and piping, low whistling saxophonist Fitfield it is little wonder that The Cluny was exceptionally well attended - I detected but one empty seat!.
Some reflective piano from Robert led to an entrance by Fraser Fitfield playing the small pipes as he meandered through the hall to the stage - shades of the Rollins at Ronnie's legend!
Ayanna, attractive with an air of fragility, took centre stage with a series of originals that displayed her ability - not just as a singer and cellist but also as a composer. It was gorgeous but, by the end of the set, I was ready for a break - too much beauty and not enough beast.
Robert Mitchell played soulfully with only the slightest hint of the Kalishnikov-like bursts of rapid fire for which he is known. Tonight it was his melodic/explorative side to the fore.
Despite his earlier entry playing the pipes and some nice work on a curved soprano (sax!) it was on the un-keyed low whistle that Fraser really shone producing a sound as mellow as any concert flute.
The second set saw more of the same and the ensemble deserved the rapturous applause at the end.
For myself, perhaps a little more variety of tempo would have helped but hey! don't get me wrong I enjoyed every minute of it and, if I'd been going to New York in, I think Ayanna said, October I'd be up on the second balcony of Harlem's Apollo Theatre rooting for the girl!
Photos.
Lance.

2 comments :

Serious said...

Thanks for the great review! Sounds like a brilliant end to the tour.

Anonymous said...

Hi Lance,

Having just come back from holiday, I want to add some comments on three gigs I saw before I went away as they were all memorable in different ways.

Firstly, the Ayanna gig was sensational. The combination of her voice (which seemed to me more Cassandra Wilson / Mahalia Jackson than Joni Mitchell) and the constantly interesting variety of the musical accompaniment created something that was unique. I don’t think I’ve heard a mixture of uileann pipes, low whistle and plucked cello in a jazz context before. I could have happily sat through another whole show. You can find the beast in many places, but such beauty is rare.

Another was the Jo Harrop session at the Cherrytree restaurant, which was a wonderful presentation of the jazz singer’s art (with a great band as well). Did she sing ‘Give me a pigfoot and a bottle of beer’, Lance, or was that the menu? I think it’s worth saying that the Cherrytree has now become the place to go for jazz on a Monday night – it’s like Pizza Express in London, except with much better food.

The third was, of course, the tribute to Chris Yeates in the Corner House, which was an incredible collection of jazz musicians. The last group was particularly electrifying and when they were urging each other further and further in the choruses of Anthropology, it was a bit like the scenes Jack Kerouac described in his books of the atmosphere in New York jazz clubs when Bird and Dizzy were playing:

‘...hearing a wild tenorman bawling horn across the way, going ‘EE-YAH! EE-YAH! EE-YAH!’ and hands clapping to the beat and folks yelling ‘Go, go, go!’....the tenorman was blowing at the peak of a wonderfully satisfactory free idea, a rising and falling riff that went from ‘ee-yah!’ to a crazier ‘ee-de-lee-yah!’ and blasted along to the rolling crash of butt-scarred drums...
“On the Road’

All fantastic stuff!

JC

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance