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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 10, 2010

MO SCOTT GIG TAKE 2 – A LEARNING EXPERIENCE

Well, Lindsay told us at the Sage jazz-singing class to listen to as many other singers as possible, so I took myself off to the Maggie Bank on Sunday for a lesson from Mo, and I thoroughly enjoyed the experience, with drinks thrown in for good measure.
I loved Mo’s heartfelt version of God Bless the Child and her exciting Fever. Mo’s blues singing is superb as well, and I liked what she did with Hound Dog, much more interesting than the mundane Elvis version. Not quite sure I agree with Lance about Mo being a bit of a rock chick. She’s more interesting than that, but I know what he’s getting at. (Doesn’t pay to disagree with the blogmaster!)
I was advised to watch how she moved. New Jazz singers have been accused of fussy nervous movements onstage. Mo moves a lot but looks really cool whilst doing so. She constantly takes the mike from the stand and moves the stand around between songs. She uses wonderfully expressive hand movements to illustrate the lyrics, and reacts skilfully to the instrumental bits. She also introduces songs briefly with a minimum of fuss. Perhaps in 10 years time I’ll also look something like this on stage, perhaps...
During the break I asked Mo how she got started with her singing. She said simply ‘You sing the music that you love’. No-one could have expressed it better.
Ann ALex.

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