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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Wed 01: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 01: Revolutionaires @ The Old Barrel (Flatties), Boldon Colliery. 3:30pm. Free. Excellent rhythm & blues.

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jason Isaacs @ St James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Sat 04: Jason Isaacs @ STACK, Exchange Square, Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 04: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £5.00. Xmas party (rescheduled from early December).

Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, July 10, 2010

Whitley Bay International Jazz Festival Day One - Afternoon

La Retaguardia Jazz Band (Chile)
Michael McQuaid's Late-Hour Boys (Australia)
Hot Antic Jazz Band (France)
Keith Nichols' Blue Devils (UK)
The twentieth and last Whitley Bay International Jazz Festival. So much to hear across four rooms, the listener is torn this way then that.
The Sunset Café kicked-off with Chile's La Retaguardia Jazz Band. It was standing room only for this the band's debut UK performance. The eight piece, led by pianist Antonio Campusano, thoroughly entertained, indeed charmed, the audience from start to finish with numbers such as Jelly Roll Morton's Chicago Breakdown and Ellington's The Mooche.
An anticipated highlight for this correspondent was the return visit of Antipodean Michael McQuaid. The intimate confines of Kelly's Stables had the Aussies playing in a corner near the entrance and with good grace welcomed the constant stream of late/new arrivals. Multi instrumentalist McQuaid paired with clarinetist Jason Downes in a series of thrilling duels and drummer Ian Smith can certainly play that washboard! Recommended.
The concert room - The Cotton Club - hosted the French (and one part German) Hot Antic Jazz Band. The Antics got up to some antics in a most professional, crowd-pleasing performance.
The closing concert of the first afternoon promised much with Keith Nichols' rounding-up some of the best talent available to present an Ellington programme in the shape of his Blue Devils. The musicians on the stand were with Nichols the previous evening a few miles up-river in Gateshead. The two set presentation was packed with numbers from Duke's 1920's/1930's period together with one or two tunes from other eminent composers of the day. A selection of tunes including Creole Love Call, Black Beauty, The Mooche, Black and Tan Fantasy, Echoes of Harlem featured the band's soloists in endless permutations. Trumpet summits were frequent (Bent Persson and Enrico Tomasso) and Matthias Seuffert, Jean-Francois Bonnel, Robert Fowler and Graham Hughes featured throughout. The rhythm section - Malcolm Sked, Nick Ward and Martin Wheatley - marshalled by Nichols was first rate. In percussionist Nick Ward they threw away the mould! Absolutely priceless! A great start to the weekend with the promise of much more to come.
Russell.
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