Tony Fisher, Martin Shaw, Nigel Carter, Brian Rankine (tpts); Mark Nightingale, Pete North, Mike Feltham, Ashley Horton (tmbs); Howard McGill, Sammy Mayne, (altos): Paul Jones, Paul Booth, (tens); Jay Craig (bar); Graham Harvey (pno); Jeremy Brown (bs); Tom Gordon (dms); Barrie Forgie (ldr).The annual visit to the Sunderland Festival by the BBC Big Band served to prove what we already knew - that the band, fronted by Barry Forgie, is arguably the best of its kind anywhere. With the A team players aboard how could it be anything else? Admittedly the repertoire has been tried and tested many times yet, nevertheless, manages to remain fresh. Martin Shaw has probably forgotten how long he's been playing "I Remember Clifford" yet the flugel feature still managed to tug at the emotions. Tony Fisher led the section with much power and his duet with Nigel Carter on the Ted Heath arrangement of "Stardust" brought back memories of hearing it done by Bert Ezzard and Bobby Pratt midway through the last century.
Mark Nightingale - as good a slide man as there is - arranged "The Flight of the Bumblebee" as a trombone solo and it certainly pushed those skills to the limit. Was I the only one in the hall who felt they could have been put to better use? Probably, and I do concede that it was well done.
No quibbles about the saxes; everything they blew was pure gold whether soloing or as a section.
Last night's alto star, Paul Jones, tonight played tenor as did Paul Booth. Both swung like crazy. Likewise the two altos - Howard McGill and Sammy Mayne - had a stirring battle on the opener, Buddy Rich's "The Rotten Kid".
Bari saxman Jay Craig's playing oozed sensuousness on Mulligan's "Black Nightgown", the theme from that wonderful film - "I Want To Live" (Sadly, in the film, Susan Hayward didn't get her wish although, as she was about to be strapped into the electric chair, one can understand her last request.)
As ever, out front, Barry Forgie scored high on charm, humour and much panache and, as a pre-cautionary measure, I must get the name of his tailor!
Yes, a splendid evening of foot-tapping fare. Well it would have been if the floor of the hall hadn't been coated with some sticky gunge which meant that us foot-tappers were almost a half a beat behind as our feet struggled to cope with whatever it was underfoot. Still that's one way to stop the audience walking out. As if! With the BBC Big Band walking out isn't an option!
Tomorrow - the Voice of the North Jazz Orchestra with Steve Waterman. Unmissable!
Lance
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