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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

Archive

Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 12, 2019

CD Review: Deborah Shulman - The Shakespeare Project

Debrah Shulman (vocals); Jeff Colella (piano); Larry Koonse (guitar); Abraham Laboriel/Chris Colangelo (bass); Bob Sheppard (reeds); Bob McChesney (trombone); Kendall Kay/ Joe LaBarbera (drums).
(Review by Lance)

Shakespeare has long provided inspiration for jazz musicians and filmmakers. The latter, in the film All Night Long, incorporated the saga of Othello in a modern setting incorporating Tubby Hayes, Dave Brubeck, Mingus and other jazz luminaries of the 1960s. In retrospect, Mingus would have been the perfect Othello. As it was, the music proved better than the film!


Ellington's Such Sweet Thunder will probably go down as the definitive jazz/bard mix and deservedly so. It's a gem and deserves its high ranking in the Ellington canon.

However, let's not forget that Shakespeare was a wordsmith and not a musician although he may have been capable of knocking up a tune on a virginal.

And it's the lyrics of his songs which are featured here just as they have done in the past.

Marian Mann, with settings by Arthur Young, recorded four of Shakey's songs with the Crosby Bobcats back in 1939 a couple of which are reprised here. In the early fifties, Cleo Laine recorded the same with the Dankworth Seven and, in 1964 Cleo, now Mrs Dankworth, recorded Shakespeare and All that Jazz - an album that is regarded by many as the ultimate take on what is, in my opinion, the combination of the world's greatest artforms - literature, theatre and jazz.

With such hard acts to follow, Deborah Shulman has taken a brave step and, in many ways, she succeeds. Just as Marian Mann set the ball rolling for Cleo to pick up and, via Duke's input, to run with, so Shulman has, at least, kept the ball in play.

I've compared the two albums again and again. Cleo's has the edge on the swingier numbers whilst Deborah will score with those who sometimes find Cleo's deep vibrato not to their liking although Deborah's ofttimes overdramatic approach, whilst in keeping with the material, can also jar but not enough to deny that this is such stuff as dreams are made on - The Tempest

Personally, I wouldn't be without either and this one also has some great solos!
Lance.

Summit Records DCD 793 - Feb. 22.
All the Worlds a Stage/If Music be the Food of Love; Blow Blow thou Winter Wind; Dunsinane Blues; Shall I Compare thee to a Summer's Day?; Who is Sylvia?; You Spotted Snakes; When to the Sessions of Sweet Silent thought; Sigh no more Ladies; Oh Mistress Mine; My Love is as a Fever; Our Revels now Are Ended.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance