Total Pageviews

Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

-----

Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 21, 2018

Alto Summit @ Jazz Café Jam Session - February 20

(Review by Lance).
If the keyword tonight had been sex as opposed to sax then this wouldn't have been a jam session but a bacchanalian orgy. As it was, with 4 altos and 2 tenors strutting their stuff it was certainly an evening of musical hedonism for both players and listeners.
It all began quite sedately with the house trio, this week with Stu Collingwood at the helm, gently swinging through A Foggy Day and Masquerade. The temperature rose with the arrival of Ray Johnson all the way from Northallerton. This may seem a distance but, as he previously commuted from Rothbury, probably an easier trip thanks to Richard Branson.
Ray was on flugel tonight and the mellow-toned instrument did justice to Pennies From Heaven and likewise, an edgier take on Stanley Turrentine's Sugar.
Debra Milne is never one to take the easy way out and our girl met the challenge of vocalising Coltrane's Equinox head on - the gal's got guts!
By now the room was alive as the student population descended.
Ben Richardson spelled Stu on piano, Abbie Finn gave Paul a break on drums and George Sykes set the pace on tenor with There Will Never be Another You. So far so good but when Dan Garel (the first of the altos) joined him we knew this really was a jam session. Kenny Burrell's Chitlins Con Carne the test piece. (Photo by Russell)
To describe Garel's playing as 'fluent' is like describing Usain Bolt as a 'jogger'. Garel fairly soared through the changes at almost twice the speed of light. Wisely, Sykes didn't try to outrun him but, instead, concentrated on content culminating with a bass and tenor exchange that levelled the score.
Ben Richardson separated the protagonists with a fine solo whilst Abbie Finn had a few explosions of her own to keep the boys on their toes. Needless to say, John Pope played a blinder all night despite there being no bass players in the house to give him a break.
Garel stayed aboard for Days of Wine and Roses. Ray Johnson returned along with tenorist Simon Probyn and Tom Hogg on drums.
Dan and Tom stepped down for Adam Stapleford, of the contemporary jazz group Taupe at the kit.
It Don't Mean a Thing proved that Adam has studied jazz past, present and future. He fitted in.
The delightful Inês Gonçalves from Portugal (photo by Russell), in the company of guitarist Peter, played Spain! It was one of those jam session moments when nobody quite knew when to stop - all good fun!
It had been a while since alto player number 2, Jordan Alfonso, showed at the Caff. He excelled on Take the A Train and held his own with alto number 3, Jimmy Jefford, on Beautiful Love. Paul Wight took the honours, however, with an amazing solo on brushes.
Inês returned, this time to sing Corcovado. Alto number 4, Tom Dixon joined the gang for this popular (with Portuguese singers) bossa nova.
The evening was drawing to a close but there was still time for Joel Brown to capture the piano stool for Autumn Leaves.
Final number, I'm told, was Mercy, Mercy, Mercy! but, by this time, I was on the platform waiting for the Metro.
Another killer jam at the Jazz Café.
Photos.
Lance.
PS: Because of the abundance of pianists we didn't hear as much of Stu Collingwood as many of us would have wished. However, needless to say, when he was playing he did the business as one would expect from such a classy player.
Stu Collingwood (piano); John Pope (bass); Paul Wight (drums) + Ray Johnson (flugel); Debra Milne (vocal); Ben Richardson (piano); George Sykes (tenor); Abbie Finn (drums); Dan Garel (alto); Simon Probyn (tenor); Tom Hogg (drums); Adam Stapleford (drums); Inês Gonçalves (piano & vocals); Peter ? (guitar); Jordan Alfonso (alto); Jimmy Jefford (alto); Tom Dixon (alto); Joel Brown (piano).

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!