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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 06, 2017

CD Review: Nat Steele - Portrait of the Modern Jazz Quartet

Nat Steele (vibes); Gabriel Latchin (piano); Dario Di Lecce (bass); Steve Brown (drums)
(Review by Lance)
Mention MJQ and two contrasting images spring to mind. The early quartet which, I believe begun life as the rhythm section of the Dizzy Gillespie Big Band who, when they left to form what was initially the Milt Jackson Quartet (same initials get it?), breathed a breath of fresh air into 1950's small group modern jazz. Driven originally by bop drummer Kenny Clarke the momentum continued, at least for a while when Connie Kay took over from Clarke.
Fast forward a few years and the music became somewhat more pretentious in keeping with the band's funereal apparel and matching sombre expressions.

Fortunately, London based vibist Steele has opted for the earlier bop influenced period which in this case covers the period 1953-1957. 
Living, as we do, in an age where jazz musicians 'pay their dues' in colleges and academies it comes as a pleasant surprise to find that Steele is actually self-taught. Steele brings to mind Tubby Hayes' vibes playing particularly on Autumn in New York.
Naturally, comparisions are made with Milt Jackson and Steele is not found wanting and, possibly due to present day recording techniques, actually gets a warmer sound than did Milt who often sounded like he was hitting milk bottles.
Gabriel Latchin we know from his recent trio recording which we raved about last month and he doesn't let the side down here.
Italian born Lecce is rapidly making a name for himself in this country and justifiably so. Solos are impressive - listen to him on the Bachian Softly as in a Morning Sunrise. When he's put back in the box he remains an integral part of the group.
Steve Brown does what he always does and I don't mean smile although I'm sure he was grinning ear to ear on this session. Even John Lewis himself would, I'm sure, have allowed himself a faint movement of the lips had he been on the gig. No, Steve was laying down a drum masterclass as he invariably does when the going is good.
The going was good on October 14, last year in the Master Chord Studio.
Woddy 'n You; The Golden Striker; La Ronde Suite (3 parts); Autumn in New York; Softly as in a Morning Sunrise; I'll Remember April; Django; Bags' Groove; All of You.
The album will be in the shops and online from September 15 as well as at the launch on Sunday lunchtime at Ronnie's (September 10).
Lance.

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