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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 20

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 13, 2014

CD Review: Ian O'Beirne - Glasswork

Ian O'Beirne (alt/ten); Tim Wendel (gtr); Tim Brey (Fender Rhodes); Kurt Kotheimer (dbl. bass.); Matt Scarano (dms).
O'Beirne, Philadelphia based saxist/composer/arranger/educator, in a parallel universe plays baritone with a touring Glenn Miller Orchestra. He will do it well. However, although there's no String of Pearls on this disc there are plenty of gems not least the leader's alto and tenor sax work. His playing flows with an appealing fluidity without resorting to torrential outpourings of sound. This is one for those who prefer a melodic line with some often unexpected intervals thrown in just to add that vital element of surprise so essential to a good jazz performance.
Guitarist Wendell weaves in and out creating a rich tapestry of his own and whilst I'm not always a fan of Rhodes pianos Brey gets just the right sound for this ensemble. Piano and guitar combine well with bass and drums giving O'Beirne the perfect cushion.
 Ian O'Beirne - Glasswork can be obtained by following the above link.
Lance.

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