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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Sunday February 18

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Evening

Postmodern Jukebox - Sage Gateshead NE8 2JR. 7:30pm. From £27.30.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

Fred Craig, Bill Stewart - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free.

Jazz Cooperators - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 13, 2014

CD Review: Ian O'Beirne - Glasswork

Ian O'Beirne (alt/ten); Tim Wendel (gtr); Tim Brey (Fender Rhodes); Kurt Kotheimer (dbl. bass.); Matt Scarano (dms).
O'Beirne, Philadelphia based saxist/composer/arranger/educator, in a parallel universe plays baritone with a touring Glenn Miller Orchestra. He will do it well. However, although there's no String of Pearls on this disc there are plenty of gems not least the leader's alto and tenor sax work. His playing flows with an appealing fluidity without resorting to torrential outpourings of sound. This is one for those who prefer a melodic line with some often unexpected intervals thrown in just to add that vital element of surprise so essential to a good jazz performance.
Guitarist Wendell weaves in and out creating a rich tapestry of his own and whilst I'm not always a fan of Rhodes pianos Brey gets just the right sound for this ensemble. Piano and guitar combine well with bass and drums giving O'Beirne the perfect cushion.
 Ian O'Beirne - Glasswork can be obtained by following the above link.
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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