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| © Richard Morris |
It was with high expectations that I attended
this concert by two of the best jazz guitarists in Europe. A full house had
similar expectations and we were not disappointed. Nigel, in a career spanning
more than 30 years, is widely acknowledged as one of the most highly regarded
and hardest working jazz musicians in the business having received many much-deserved
awards during those three decades. He met Prague based jazz guitarist Libor,
who has worked and recorded with many international stars, some eight years ago.
The concert was billed as Price & Smoldas playing a selection of well chosen standards, as well as a few originals, delivered with a reverence for the past masters whilst putting their own spin on the music.
The stage was
set – literally as Davenham Players were in the middle of rehearsing for their
next production God of Carnage by
Yasmina Reza. So there was extra seating for the audience on the side of
the stage and an empty sofa at the back of the set. At precisely 8.00pm it
was time for the two musicians to enter stage right. They received a warm
welcome.
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| © Richard Morris |
On Jobim’s classic bossa nova Triste, a song exploring themes of solitude, unrequited love and the pain of living in illusions, the interplay between the musicians was fabulous. The music seemed effortless, the empathy obvious and the atmosphere relaxed. Rarely had two hours passed so quickly, their virtuosity off the Richter scale, the audience engaged and entranced.
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| © Richard Morris |
Charlie Parker’s Yardbird Suite was fast, upbeat and quite funky whilst the ballad Body and Soul was played beautifully. Most of the tunes I hadn’t heard played by just two guitars so there was a fresh quality for me personally. I particularly enjoyed the Belgian jazz musician Toots Thieleman’s Bluesette. This composition was originally recorded and performed live in 1961 by Toots featuring him playing the guitar and whistling. No whistling was in evidence at this concert.
Homeward Bound, a tune
composed by Liber, was nothing like the Simon and Garfunkel song with the
same title. Ray Noble’s Cherokee, a
number popular with jazz musicians including Charlie Parker, lost nothing by
being played slower than the norm but nonetheless this take seemed perfect
for two guitars and it did mirror the
composer’s intent. The audience concurred.
Nigel continues
touring the UK in November primarily as one half of the Lorne Lofsky/Nigel
Price Quartet. I will be seeing Nigel
play again in the north west at Southport Jazz Festival on Saturday 30 January
2027 at a concert billed as the Nigel Price Quintet – Jazz Samba.
It would be
most remiss of me not to mention that God of Carnage opens at Davenham
Players Theatre on 13 November and runs until 21 November. Richard Morris
Set list: Alone
Together; Triste; I’ve Never Been in Love Before; Body and Soul; Bluesette,
Yardbird Suite; All the Things You Are; Black Orpheus; Homeward Bound; You Don’t
Know What Love is; Cherokee
Davenham
Players Theatre, 59 Church Street, Davenham, Northwich, Cheshire CW9 8NF Website:
https:www.davenhamplayers.co.uk
Instagram @davenhamtheatre



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