Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

September.

Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, John Hirst.

Tuesday, March 26, 2024

90 Greatest Artists of All Time.

The April issue of DownBeat has an interesting article whereupon a team of experts have compiled an alphabetical listing of, in their collective opinion, the 90 Greatest Artists of All Time.

Of course, by their own admission, the list could have been longer but 90 was the figure chosen, this being their 90th anniversary year.

Like every other reader of that venerable magazine, I too have muttered sentences such as 'Why haven't they picked so and so?' or 'What are they doing there?' However my main gripe is that only one Brit makes the list - John McLaughlin.

So, dear readers, which, if any, British musicians do you think should have been included? Lance 

3 comments :

Chris Kilsby said...

These greatest lists are of course an exercise in futility and personal taste. But I have say this one made me think, as it echoes arguments about the primacy of the US of A in this thing some call jazz. While I strongly believe there are distinctive and "authentic" strands of jazz practiced outside the US (notably the UK, various other parts of Europe and Israel), I have to concede British individual jazz greats (as opposed to bands, or simply very fine players) are thin on the ground. I guess a lot of this is down to the small size of our country and jazz establishment and opportunities. My experience (as limited as it is) is mostly post 1970, and from that period I would certainly endorse McLaughlin, alongside of course his contemporary Dave Holland. I don't suppose we can claim Kenny Wheeler?!

Russell said...

George Shearing, John & Cleo made it big in the US, Tubby Hayes, Stan Tracey...

Lance said...

Although Kenny Wheeler was from 'the Colonies' (Canada) his most productive work was done in the UK and as, until 1977, Canadians had dual British nationality I think we can stake a claim.

By the same token a strong case can be made out for perhaps the greatest and most innovative of all our colonial imports - alto saxophonist Joe Harriott who was part of the Windrush Generation. He was commemorated by a plaque in 2018 in Southampton where the ships from the Caribbean docked.

If 'making it big in the US' is part of the criteria then look no further than Acker Bilk!

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