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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Fri 10: Michael Woods @ Lit & Phil, Newcastle. 1:00pm. Free. Country blues guitar & vocals. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Citrus @ The Head of Steam, Newcastle. 7:00pm. £11.25.
Fri 10: Zoë Gilby Quartet @ St Cuthbert’s, Crook. 7:30pm. £10.00.

Sat 11: Jeffrey Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 11: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 11: Milne-Glendinning Band @ Yarm Parish Church. 7:30pm.
Sat 11: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: GoGo Penguin @ Wylam Brewery, Newcastle. 7:00pm (doors). All standing gig.
Sun 12: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Sun 12: Satin Beige @ Prohibition Bar, Newcastle. 8:00pm. £7.50 + bf. Upstairs. R&B cello & vocals
Sun 12: Fergus McCreadie Trio @ The Glasshouse, Gateshead. 8:00pm. £19.80.
Sun 12: Schmid/Wheatley/Prévost + Signe Emmeluth @ The Globe, Newcastle. 8:00pm. JNE.

Mon 13: Emma Fisk & James Birkett @ Yamaha Music School, Blyth. 1:00pm. £8.00.

Tue 14: ???

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, May 29, 2023

Sugaray Rayford @ the Fire Station, Sunderland - May 26

My first time at the Sunderland Fire Station, a nice spacious venue. I was expecting a blues artist – generally a safer bet for this type of gig – but what we got was more soul. Neither neo nor retro but the type of thing that’s just kept going quietly in the hinterland ever since soul music’s heyday.

And he could sing too, the best comparison I could come up with was Eddie Levert of the O’Jays, one of the very best, though playing an album by bluesman Lucky Peterson on the way home also showed similarities, which was a happy coincidence.

And he was funny, though his preoccupation with big-legged women with big booties may have proved troublesome in another town with a different generation in amongst the 120 strong audience.

 

Bill Withers Who is he and What is he to You? opened the set but was followed by mostly original stuff, him doing much booty shaking to songs about big-legged ladies. A couple of blues excursions proved they could do that too, lots of rock star posturing by the appropriately attired guitarist.

 

Just to demonstrate how good his band were – and he also had trumpet, sax, keyboards, bass and drums (though the guitarists resonator sadly remained on the stand, perhaps an indication that getting more bluesy could have been an option) – they gave us short bursts of reggae, country and western and bebop, asking the audience if the latter was over our heads. Perhaps, but maybe also above the heads of the band who were very good but not quite great.

 The low-point came when the keyboardist – playing mostly a Hammond sounding organ clone – sang what Sugar described as a negro spiritual but sounded to me more like Meatloaf, the guitarists posturing reaching its apogee.

 

Two albums at the merch stand: one more soul and the other more blues according to the salesperson. Mrs T streamed the soul one and I bought a CD of the blues one but he’d got them the wrong way round.  Will we see Mrs T coming round to blues?! Steve T      

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