Keb Mo @ New Orleans

Having missed Chris Thomas King and Buddy Guy, newcomer DK Harrell was the only blues act I’d seen so I didn’t want to miss Keb Mo.

It clashed with Terence Blanchard next door in the jazz tent but, when Blanchard turned up with a string quartet which didn’t particularly seem to add anything and, having seen him twice previously, it wasn’t really an option, even though he was in fine voice, as ever, and nicely pedalled up as usual.

Keb Mo broke through in the nineties and has been one of the most significant blues acts of recent times. He was a key figure in the renewal of interest in the country blues sound which was largely superseded by electric blues in the 'fifties, predominantly by artists who’d migrated from the south (including N’Awlins) to the northern cities, particularly Chicago.

 

He was great and the blues tent was bouncing, as it had been every time I’d walked passed throughout the festival. Backed by keyboards, bass and drums, he mostly switched between acoustic and electric guitars but also used a resonator on occasion.

 

Unfortunately, technical hitches meant we didn’t get any photos of Blanchard and only just managed one right at the very end of Keb Mo’s set. Steve T