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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Friday, June 04, 2021

Album review: Vinnie Riccitelli - For the Record

You haven't heard of Vinnie Riccitelli? You're not alone, neither had I until this album arrived even though he's now 94 and been playing professionally since he was 15. The blurb refers to him as being one of the best kept secrets in jazz - the last album recorded under his name was released in 1956!

Not that he's been discovered working in a rice field, far from it. He only stopped playing alto professionally in 2018 after a career that had lasted 77 years! Since retiring, he's revisited the past and assembled this outstanding octet to record some of his classic arrangements.

And what arrangements! Imagine some of those West Coast sounds from the 1950s played with warmth and you're getting close but not quite close enough. It's impeccable - it's in the Art Pepper + Eleven league which means Champions League in jazz terms.

For some unknown reason, I've allowed this to fester in my in-tray for the past 3 months for which I'm duly apologetic. Not just to the musicians but to myself for depriving myself of so much pleasurable listening for so long. I'll make up for it by playing it forever and ever or until something better comes along which I think might be more than a little while ...

Lance

Available via usual suspects.

Minor Seventh Heaven*; I'm Old Fashioned; If You Could See me Now; Serenata; Stompin' at the Savoy; Star Eyes; Mr. Lucky; Blues Dominant*; Maids of Cadiz; Along Came Betty; Darn That Dream; Dolphin Dance; Flugelsville*; Flying Down to Rio; Jordu; 'Round Midnight; Little Boy Blew*.      

* Originals by Vinnie Riccitelli.

Vinnie Riccitelli (arranger); Leo Ursini (alto sax - 11 tks); Nathan Childers (alto sax - 6 tks); Joe Stelluti (tenor sax); Chris Stelluti (baritone sax); Glenn Drewes (trumpet/flugel); Bruce Bonvissuto (trombone); Eddie Monteiro (piano/accordion - 1 tk); Lou Stelluti (bass); Tony Tedesco (drums).

1 comment :

Tony Tedesco said...

I just wanted to write to say thank you for your great review of Vinnie’s CD. I happened to come across it today and was so appreciative of your kind words. He is really a terrific arranger who has gone under the radar here in NYC only because he was too busy as a sideman for everyone! It’s funny...I was just listening to that Art Pepper +11 record two days ago and still marveling at the musicianship exemplified during those Marty Paich sessions. To even be compared to such an iconic album is truly the highest of compliments. I feel very fortunate that Vinnie asked me to play drums on this CD, and feel even more of a thrill that his talent as an arranger is getting the recognition that he truly deserves. Thank you for spreading the word!
My regards,
Tony Tedesco

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