Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 23: FILM: Big Mama Thornton: I Can’t Be Anyone But Me @ Tyneside Cinema, Newcastle. 6:15pm. Dir. Robert Clem (2025).
Thu 23: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 23: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 23: Jeremy McMurray’s Pocket Jazz Orchestra & Musicians Unlimited @ ARC, Stockton. 8:00pm. £19.00. inc. bf.

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).
Fri 24: TBC @ The Traveller’s Rest, Darlington. 8:00pm.

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm. CANCELLED!
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Thursday, January 02, 2020

Johnny Desmond

(By Lance)

Reading Russell's preview of Ray McVay's Glenn Miller tribute at Sage Gateshead prompted me to reflect upon the late iconic bandleader. It seems to me that, possibly because of the enduring popularity of the music, the legend continues to grow. I doubt if Goodman, Shaw, Dorsey or even Ellington and Basie tribute bands could pull the punters like Miller - 75 years after his presumed death.

I've heard all the jokes "Better if Miller had lived and the music died" being one of the favourites and, it has to be admitted, the music could be a little schmaltzy at times. However, moving away from the civilian orchestra to the Army Air Force Band he fronted in Bedford, UK, we find ourselves in a different ball game.

This band swung - how could it not with Ray McKinley on drums, Peanuts Hucko blowing sax and clarinet, Bobby Nichols and Zeke Zarchey on trumpets, Mel Powell on piano and vocals by Johnny Desmond...

...Johnny Desmond! If Desmond had had a 'punctured eardrum' and escaped the draft the history of American popular song could have been a whole lot different.

This came to mind as I listened to a couple of postwar albums he made back in civvy street. Once Upon a Time is a fine orchestral album that shows off Desmond's perfectly pitched interpretations of standards but it is Blue Smoke that elevates him into the upper echelons of crooners.
Accompanied by Tony Mottola on guitar and Bob Haggart on bass, this is an album that can stand comfortably alongside the Sinatra's, Ella's and all the other vocal legends. Listen to I'm Thru With Love and you may get an idea where I'm coming from.
Lance

2 comments :

Steve T said...

It's always treacherous to second-guess the future, but I suspect people will be listening to Duke Ellington when the popularity of Miller - alongside other dead popstars - is restricted to discussion in academia.

Lance said...

Absolutely! Totally agree with you. The point I'm making is that Miller captured the imagination of so many people (mainly, these days, non jazz fans) of a certain age who probably remember the film - and, for all its inaccuracies, it was a good film - and the circumstances of his disappearance. The myths and misinformation that followed all added to the mystique.

My theory is that Ray McVay is actually the real Glenn Miller. He looks to be about the same age (114)...

Seriously Steve, you and I know that Ellington's music, like that of Bach and Beethoven will last forever but, who's not to say that Miller's music, like that of Gilbert and Sullivan, Bill Haley and Billy Cotton will not only also survive.

Howver, I digress, my whole point was to draw attention to what a fine crooner Johnny Desmond was...

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