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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Thu 22: Olly Styles (saxophone): Stage 2 recital @ The Music Sudios, Newcastle University. 10:00am. Free, all welcome.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, January 14, 2020

Book Review: Joseph Jarman - Black Case Volume I & II: Return from Exile

(Review by Russell)

Joseph Jarman first compiled a spiral-bound version of Black Case Volume I & II in 1974. Three years later an expanded edition was published by Art Ensemble of Chicago Publishing Co.. Now, some twelve months after the death of the Art Ensemble of Chicago's saxophonist, composer, poet and member of the AACM, a reprint, with a new preface by Thulani Davis and an introduction by Brent Hayes Edwards, has been made available by Blank Forms Editions and After : Still.   

Poetry, prose and photographs from 1960 through to the mid-seventies chart Jarman's global travels and development as an artist. Principally known as a member of the feted Art Ensemble of Chicago, Black Case Volume I & II is a welcome addition to the literature of the Black Arts Movement. Multi-instrumentalist Jarman offers an insight to his childhood years on Chicago's South Side; racism, urban alienation and fishing trips with his father.  

In his early twenties Jarman wound up in Texas. In Volume I Jarman writes: El Paso - spring 1959 - i arrive on the hot summer Greyhound from the East, full of dust and silence. High off - pills, smack, other deadly joys, mute, silent and motionless. A page of poetry, a page of prose, perhaps a photograph, Jarman committed words to paper as the spirit took him; on one page socio-political comment: BLACK MUSIC IS BLACK MUSIC and always will be, on another page spiritual or religious thought is offered: do not fight life, rather live it freely/this is the message of GREAT BLACK MUSIC embrace it and sing-you will feel better and you will learn through your own life to praise GOD

Service in the US military during the 1950s appeared to have had a profound effect on Jarman. Traumatised by military (mis)adventure in Asia (sustaining a severe leg injury) a transfer to an army band based in Germany (acquiring an alto saxophone along the way) proved to be a better option. In his excellent introduction to this new edition Brent Hayes Edwards recounts Jarman telling music historian Paul Steinbeck that 'El Paso' (much of Jarman's poetry was untitled) was a first attempt at writing poetry. In a few short years the Art Ensemble of Chicago would become the perfect platform for his literary talents. 

The Art Ensemble's penchant for theatrical costume, surrealist pranks, poetry and, of course, music, nurtured Joseph Jarman's creativity for several decades (not withstanding a sabbatical to study Buddhism and aikido). The full title of Jarman's book - Black Case Volume I & II Return from Exile - points to the author's spiritual journey from self-imposed exile (Brent Hayes Edwards calls it 'internal alienation') from the supposed 'real' world. 

Those lucky enough to have witnessed Jarman in full flow with the Art Ensemble of Chicago will, no doubt, have fond memories. In her preface to this new edition of Black Case I & II Thulani Davis recalls first visiting Jarman's home: The first time I visited Joseph he was listening to Jimmy Cliff and Sidney Bechet. He played me 78s of Charlie Parker. Just life as it should be, it seemed.                   
Russell
  
Black Case Volume I & II: Return from Exile by Joseph Jarman is published by Blank Forms Editions (Brooklyn, NY) and After : Still (Madison, WI)ISBN: 978-1-7337235-3-4 

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