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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14264 (and counting) posts since we started blogging 14 years ago. 483 of them this year alone and, so far, 83 this month (May 26).

From This Moment On ...

May.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Jam session @ Fabio's Bar, Durham. 8:00pm. A Durham Uni Jazz Soc event. All welcome.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

June

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Four @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, January 07, 2020

CD Review: Laura Noejovich - Laura Has New Standards

Laura Noejovich (voice); Takeshi Asai (piano)
(Review by James Henry)

Laura Has New Standards is a clever play on words, and in this debut album Laura Noejovich gives us a mixture of old standards in new ways, and other less familiar songs that might become new standards.

Laura Noejovich has an unusual background for an aspiring jazz singer. Originally trained as an opera singer, she then completed a degree in neurosciences in Skidmore College, NY, where she is currently a laboratory associate.  In this debut album Laura Noejovich is accompanied on piano by Takeshi Asai, originally from Japan but now based in New York, and an alumnus of Berklee College. Restricting the accompaniment to piano without a conventional rhythm section is a bold thing to do on a debut album, and Noejovich’s classical training and presence help her carry this off.

Noejovich has a strong vocal presence, with incredible power and dynamic range, as well as a phenomenal vocal range: she is able to hit long low dusky notes and then soar to great heights without becoming shrill. Takeshi Asai matches Noejovich’s vocal strength with an intense but sensitive piano accompaniment.

There are some lovely surprises in this selection. Why Don’t You Do Right by Kansas Joe McCoy is a hard times blues from the 1930’s which Noejovich begins confidently a capella and rubato, to be joined after six bars by Takeshi.  Noejovich is at her best in the more bluesy numbers, and Dreamer’s Ball (Brian May/Queen) is an utter treat. She also has a feel for show tunes, and Funny Honey from Chicago gets the full theatrical treatment. Quieter and more lyrical moments include a folksy interpretation of Lennon and McCartney’s The Fool on the Hill, with a quirky accompaniment by Asai. Once Upon A Dream (Wildhorn, from Jekyll and Hyde) and On My Own (Les Miserables) get the full wistful but hopeful stage treatment.  Standards don’t get much more standard than Gershwin tunes, and there is a huge powerful version of Summertime balanced by a lyrical and at times operatic Someone to Watch Over Me.

Laura Has New Standards is an impressive debut album. It is difficult to classify in many ways. Bits of it would be jazz in anyone’s book, some of it has to be musical theatre, and some of it is frankly operatic. Likewise, Noejovich’s vocal range is so huge I can’t decide whether she is an alto or a soprano.  But does it matter if we can’t slot music into pigeonholes?  Not a bit: just enjoy it for what it is.  Eclectic and classy sums this album up best of all.
James Henry     
Enchanted Meadow Records, November 2019

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