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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 16, 2018

The Reunion @ Blaydon Jazz Club - July 15

Colin Aitchison (trumpet, teapot, vocals); Franco Valussi (clarinet, vocals); Steve Andrews (tenor, baritone, clarinet); Roly Veitch (guitar, vocals); Roy Cansdale (double bass) + Neville Sarony (vocals)
(Review by Russell).
The Reunion is an annual event, it's a band, a gathering of friends playing a few jazz numbers in the lounge of the Black Bull public house in Blaydon. If no one turned up it wouldn't matter too much as the musicians on the stand would play for their own pleasure. 

They come from all parts...Cumbria, Worcestershire, far away Hong Kong and downtown Winlaton - that's the band. In the main, Blaydon Jazz Club's audience is drawn from the Tyneside area, however, for this annual get together a large contingent of fans make the trip all the way from Hong Kong! Trumpeter Colin Aitchison, born in North Shields, long-since resident in Hong Kong, returns to Tyneside year after year and a planeload of supporters exchange Ned Kelly's, Kowloon's famous jazz venue, for the equally famous Blaydon Jazz Club. The band's classy Italian clarinettist Franco Valussi, another Hong Kong-based musician, looks forward to renewing acquaintance with fellow reedsman Steve Andrews and the rhythm section boys, eschewing the spotlight - Roly Veitch, guitar, and bassist Roy Cansdale - purr like contented cats.

A TrainFly Me to the Moon (Aitchison's vocal), Moonglow featuring Valussi then Andrews on baritone, Aitchison using not one but two mutes, and a guitar solo from Blaydon Jazz Club's Roly Veitch. A set more small combo swing than New Orleans or Dixieland and a vocal duet - Aitchison and Valussi - on Jeepers Creepers inevitably recalled Louis Armstrong. 

Debonair, suave, who could we be thinking of? Mr Neville Sarony, that's who. Another of our visitors from the Far East, Sarony sings dance band crooner style entertaining all the way. A first contribution heard the debonair one reaching out across the Mississippi in search of Buddy Bolden's Blues. The thing about Sarony is he clearly loves what he does - good on him! It would be quite something to hear him in Ned Kelly's with Aitchison and co. One day, one day... 

It isn't every day that Amazing Grace features in the setlist at this, or any other, jazz gig. Last night at the Black Bull the following happened; Colin Aitchison delved into a bag and...out came a teapot. Yep, yer regulation teapot. Amazing Grace blown, bugle-style on a teapot. Aitchison did it, turning various shades of crimson as he upped an octave, coming nicely to the boil, a party piece if ever there was one!

A Benny Goodman feature for Valussi on On the Alamo opened the second set, Aitchison singing A Kiss to Build a Dream On (Valussi and Andrews retiring to the bar), Roly Veitch singing Pennies from Heaven, the high standard maintained throughout. Mr N Sarony returned to ask Do You Know What it Means to Miss New Orleans? following up assertively with Deed I Do.

The Reunion was drawing to a close for another year. Johnny Hodges playing the blues appealed to the band and with Sarony once more on the stand to sing Some of These Days that was just about it. All being well, mid-July next year do get along to the Black Bull for a great night's entertainment. 
Russell.  

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance