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Bebop Spoken There

Peter Ind: "Rightly or wrongly, I didn't value his [Miles Davis] contribution that much." - (Jazzwise October 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Abbie Finn Trio - Gosforth Civic Theatre, Regent Farm Road, Gosforth, Newcastle NE3 3HD. Tel: 0191 284 3700. 7:30pm. Donations on the night. To book a table (max four people from one household/support bubble) visit: www.gosforthcivictheatre.co.uk.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

FRIDAY 25

SouLutions Sistas - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (7:00pm doors). £10.00. SOLD OUT!

SATURDAY 26

Boys of Brass - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. 7:00pm. £10.00. + £1.37 bf for table for two. Other packages available. See www.tynebankbrewery.co.uk.

SUNDAY 27

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

Sunday, July 15, 2018

CD Review: The John Bailey Quintet - In Real Time

John Bailey (trumpet/flugel; Stacy Dillard (tenor/soprano); John Hart (guitar); Cameron Brown (bass); Victor Lewis (drums) + Janet Axelrod (flute) & Leo Grinhauz (cello) on 1 track.
(Review by Dave Brownlow)
The first album for trumpet player, arranger and  composer John Bailey, who, having spent more than thirty years in the music business “paying his dues” as an in-demand sideman, emerges from the shadows as the leader/arranger of a technically accomplished quintet. The group’s instrumentation provides excellent variation throughout – guitar instead of piano in the rhythm section, with trumpet or flugelhorn and soprano or tenor sax. Flute and cello are added to good effect on Morro Velho.
The sheer variety of his work as a musician playing just about everything from traditional jazz to r & b, and pop to classical, has provided him with the rich diet of influences evident in his compositions, of which there are seven, to add to two Brazilian cover pieces.
A trumpet prodigy, first noticed in 1984 as a High School musician, he plays with a bright, clear tone, and a fantastic technique. Ideas burst forward with great energy and attack and his cheerful personality shines through on each track. His jazz credentials are also strong having worked with Ray Charles, The Buddy Rich Band, Ray Baretto, Max Weinberg and Frank Sinatra Jr. whilst his influences range from Dizzy Gillespie, Clifford Brown, Miles Davis and mentor Ira Sullivan – enough said!
The material ranges from the straight-ahead: Rhapsody, My Man Louis, Stepping Up, to boppish: Blues For Ella, Children’s Waltz: the ballad: Lovely Planet and the post-bop: Triplicity, Brazilian Morro Velho and Ensaio Geral.
Overall, a very satisfactory first album with first-class playing and musicianship throughout, available now on - SUMMIT RECORDS  DCD 720 or from https://johnbailey.com
Dave B.

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