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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, July 05, 2017

Jamie Brownfield Quartet @ Burton Agnes Jazz & Blues Festival - July 2

Jamie Brownfield; (trumpet); Tom Kincaid (piano); Ken Marley (double bass); Jack Cotterill (drums).
(Review by Annie O’Donnell)
Night Train opens set with a snazzy piano/bass intro.  They mean business / Jamie looks like a slick detective, in fact they all look like detectives...on a film set...
Literally, a Walking Bass Line as Ken walks with it to get comfy... 
he is strong and steady.
slaps out a happy bass melody in his solo
Ken's style reminds me of a Detective Sergeant I worked with. 
Jaggy jumpy piano.
Where Or When is played. It’s from film When Harry Met Sally
Ken plays a slow smooch smooth sexy bass line
Tender slow piano interweaving with Jamie's trumpet.
Ken's Bass is singing like a lover and he is dancing with it
I am reminded of the legend
As he slides his hand up and down the frets so lovingly.
His solo is a song, not a chord progression on a fast tight race 
It is a joy to hear and to see...there are not many bass players
who know how to do this with a double bass
and this is why he reminds me of Ron Mathewson..
Ken Loves His Bass
and his bass loves him back.

Softly As In a Morning Sunrise 
Satchmo comes to mind..
Jamie  has the most wonderful breath control
so smooth ...
an unexpected fan crawls along the grass to get closer
an orange and brown butterfly who suddenly
disappears in the afternoon sunshine...
Jack is a tight sensitive drummer with
an ear to hear when to augment and diminish
his sound...he is not intrusive but 
you know he is there..'

Do Nothing ‘til You Hear From Me is perfect.

Jamie's rendition, Chet Baker style, of My Funny Valentine
Big Bass BAP BAP Heart sound
Tinkling Piano
so beautiful
touched me so much
I wrote a lyric for a new song
I'm collaborating on
so what more praise can I give?*
Annie O' Donnell  
*Jamie and his fellow musicians opened
my heart to pour out my emotion
when the song is finished 
I will send it to Bebop


1 comment :

Patti D (on F/b) said...

A great review - and I'm thrilled that we have Jamie playing for us at the Mike Durham's Whitley Bay Classic Jazz Party in October!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance