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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Tuesday, July 18, 2017

CD Review: Katie Thiroux – Off Beat.

Katie Thiroux (double bass/ vocals); Ken Peplowski (clarinet/tenor); Roger Neumann (tenor/ soprano); Justin Kauflin (piano); Matt Witek (drums.)
(Review by Dave Brownlow)
Katie Thiroux, a young bassist/vocalist already has an impressive musical background. On her CV is a degree from Berklee College of Music and a master's from California State University. Since then, she has worked with such fine musicians as Billy Taylor, Branford Marsalis, Bill Cunliffe, Geri Allen, Charles McPherson, Ken Peplowski, Mundell Lowe, Teri Lynne Carrington, Lewis Nash, Jeff Hamilton and many others. This is a follow-up album to her debut CD (Introducing Katie Thiroux 2015) and is thoroughly enjoyable, entertaining, swinging, uncomplicated yet sophisticated, full of variety and the essence of jazz “the sound of surprise.”
The programme Katie has chosen utilises the talents of her four musicians to the full with clever choices of accompaniment for each track. How refreshing it is to hear Peplowski’s clarinet featured on three pieces – it reminds me of Art Pepper’s occasional clarinet forays.
Off Beat uses Neumann’s quirky arrangement for an unusual front-line of clarinet and soprano sax. The song, made famous by June Christy, is a lively opener, swingingly anchored by Katie’s propulsive bass. Benny Carter’s smooth, mid-tempo When Lights Are Low has the piano-led trio as backing with a pleasant keyboard solo from Kauflin. The vocal is suitably sultry……..
Thiroux lays down her bass for a beautiful Why Did I Choose You with only piano support for this emotional ballad. Slow Dance With Me - a Thiroux original – is a bluesy instrumental which grooves along and includes a bass solo from the leader. She gets a round, warm tone from the bass and has ‘spot-on’ intonation coupled with a good ear for note choice throughout.
Master Bassist Ray Brown’s influence shows on the next three tracks. A ‘gospel style’ Brotherhood Of Man rides along cheerfully and includes another nimble solo from the bass. Ray’s Idea, from the early days of bebop and Dizzy’s Big Band, showcases a ‘scat’ vocal, a few bright choruses from the clarinet and ‘fours’ with drummer Witek.
A ‘sultry’ Some Cats Know has Peplowski on tenor and a sexy “knowing” vocal from Katie…..The rarely heard When The Wind Was Green (a Sinatra track from ’65) has the vocal supported by only clarinet and bass. A fine obbligato from Ken provides one of the high spots of the album. Ellington’s Happy Reunion is a showpiece for the two tenors and is a warm tribute to Duke. Finally, Willow Weep For Me is just Katie – vocal and bass – on a technical tour-de-force which she carries off with great aplomb showing off her talents as a more-than-competent bassist and a maturing vocalist. One detects subtle influences from Blossom Dearie, Norma Winstone and Claire Martin – but it’s chiefly herself!
With swinging basslines, clear vocals and inspired arrangements, Katie combines contemporary flair to mainstream stylings as a rising star in today’s scene.
Off Beat is to be released on August 18, 2017, on Capri Records 74146-2
 Also available on www.katiethiroux.com/
Dave Brownlow.

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