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Bebop Spoken There

David Binney: "In this age, we musicians need to do anything we can to make a living, and ninety-nine percent of us will have to do a wide variety of things." - (Jazz Times May 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Tuesday July 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Jazz

Gala Big Band w. ALAN BARNES: Strictly Come BRASSing - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £15.00. (£12.00. concs.). A Durham Brass Festival event.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 813983 (info). 8:00pm. £5.00. (inc. raffle). RCJ with Don Armstrong (clarinet, saxophone, penny whistle, vocals).

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SOLD OUT!

Zoe Rahman & Laura MacDonald - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192.. 8:00pm. £12.00. (£10.00. concs.). JNE.

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Northern Monkey Brass Band - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 22, 2017

CD Review: Gavin Barras – The Family Tree

Gavin Barras (double bass); Jeff Guntren (tenor); Jim Faulkner (guitar); Dave Walsh (drums) + (on 2 tracks) Gavin Barras (acoustic guitar); Rhiannon James (viola); Margit van der Zwan (cello).
(Review by Lance).
“Best known for his work with trumpeter Matthew Halsall” says the blurb. And it’s true. Barras has appeared with Halsall in the locality [NE UK] over recent years. However, the bassist/composer’s most recent visit was as part of the Dean Stockdale Trio with whom he excelled.
He excels here too performing his own compositions all of which have family connections in one form or another.
Perhaps the strongest family connection is the instrument Barras is playing – a double bass crafted by his father, luthier Steve Barras. Not surprisingly, the album is dedicated to Steve.

The opening track is also a family affair; Swingin’ Charlie is inspired by Gavin’s new born baby and, after a protracted opening, all four players show their mettle before cooling down with a lyrical closure.
Waltz for my Wife positively exudes love and I’m sure Mrs Barras wasn’t embarrassed by this musical portrait. More lyricism.
Sunnyside has Gavin on acoustic guitar (an instrument also fashioned by dad back in 1967) along with Rhiannon James and Margit van der Zwan on viola and cello respectively (those instruments were probably made by some upstart in Cremona). Despite the title, it’s a rather melancholy piece that could have ran longer than its 1:15 to be fully appreciated.
CBGB has lots of Crash, Bang, Wallop from Walsh – very effective CBW I hasten to add - whilst the composer provides the musical maypole for Guntren and Faulkner to dance merrily around.
More dancing, or to be more precise, collective improvisation on The Family Tree and the impression is that the whole family are in there having a ball.
Steve’s Song, a jaunty ska-like opus that may have been inspired by a trip to Barbados or thereabouts with dad, has a bass opener that sees Walsh enter in Caribbean mode whilst Guntren and Faulkner limbo over and under the bar. Guntren’s one of the more interesting tenor players around and Faulkner the perfect foil.
Lowdown (in the Lowlands) has a Mingusian minor feel to it that doesn’t do it any harm at all.
Mossy Lea’s a ballad described as an ode to the area of The Peak District where the composer lives and, from what I can recall of a cycling holiday I spent around Glossop some years back, Barras and his boys do it justice. Walsh, in particular being very sympathetic to the mood.
The second guitar, viola and cello opus is 35 Years Later. An enigmatic title that, like the first trio track is very short (1.51) yet not without charm.
Finally, Last Thing (for Ed K), has a floating rhythm rather as if The Train and the River had been recorded 50 years later.
Well worth checking out for those on the inside who like to take a peep at the outside. Do it, it won’t hurt.
Lance.
Available on ASC Records.


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance