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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Saturday, July 22, 2017

CD Review: Gavin Barras – The Family Tree

Gavin Barras (double bass); Jeff Guntren (tenor); Jim Faulkner (guitar); Dave Walsh (drums) + (on 2 tracks) Gavin Barras (acoustic guitar); Rhiannon James (viola); Margit van der Zwan (cello).
(Review by Lance).
“Best known for his work with trumpeter Matthew Halsall” says the blurb. And it’s true. Barras has appeared with Halsall in the locality [NE UK] over recent years. However, the bassist/composer’s most recent visit was as part of the Dean Stockdale Trio with whom he excelled.
He excels here too performing his own compositions all of which have family connections in one form or another.
Perhaps the strongest family connection is the instrument Barras is playing – a double bass crafted by his father, luthier Steve Barras. Not surprisingly, the album is dedicated to Steve.

The opening track is also a family affair; Swingin’ Charlie is inspired by Gavin’s new born baby and, after a protracted opening, all four players show their mettle before cooling down with a lyrical closure.
Waltz for my Wife positively exudes love and I’m sure Mrs Barras wasn’t embarrassed by this musical portrait. More lyricism.
Sunnyside has Gavin on acoustic guitar (an instrument also fashioned by dad back in 1967) along with Rhiannon James and Margit van der Zwan on viola and cello respectively (those instruments were probably made by some upstart in Cremona). Despite the title, it’s a rather melancholy piece that could have ran longer than its 1:15 to be fully appreciated.
CBGB has lots of Crash, Bang, Wallop from Walsh – very effective CBW I hasten to add - whilst the composer provides the musical maypole for Guntren and Faulkner to dance merrily around.
More dancing, or to be more precise, collective improvisation on The Family Tree and the impression is that the whole family are in there having a ball.
Steve’s Song, a jaunty ska-like opus that may have been inspired by a trip to Barbados or thereabouts with dad, has a bass opener that sees Walsh enter in Caribbean mode whilst Guntren and Faulkner limbo over and under the bar. Guntren’s one of the more interesting tenor players around and Faulkner the perfect foil.
Lowdown (in the Lowlands) has a Mingusian minor feel to it that doesn’t do it any harm at all.
Mossy Lea’s a ballad described as an ode to the area of The Peak District where the composer lives and, from what I can recall of a cycling holiday I spent around Glossop some years back, Barras and his boys do it justice. Walsh, in particular being very sympathetic to the mood.
The second guitar, viola and cello opus is 35 Years Later. An enigmatic title that, like the first trio track is very short (1.51) yet not without charm.
Finally, Last Thing (for Ed K), has a floating rhythm rather as if The Train and the River had been recorded 50 years later.
Well worth checking out for those on the inside who like to take a peep at the outside. Do it, it won’t hurt.
Lance.
Available on ASC Records.


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