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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Friday July 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. See above.

John Settle’s Vibe-ology - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

New Orleans Swamp Donkeys - Ernest, Boyd Street, Newcastle NE1 2AP. Tel: 0191 260 5216. 5:00pm. Free.

Blues/Country/Folk

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. Struggle Buggy 2:00-2:45pm., Shipcote & Friends 3:00-3:45pm. Free. Jumpin’ Hot Club stage.

Evening.

Riviera Quartet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:00pm. (7:30pm doors). £8.00.

New Orleans Swamp Donkeys - Cobalt Studios, Boyd St., Newcastle NE2 1AP. Tel: 0191 232 3553. 8:00pm. £5.00. (£4.00. adv). Top class band from New Orleans.

Baghdaddies - Cumberland Arms, James Place Street, Newcastle NE6 1LD. Tel: 0191 265 6151. 8:30-9:30pm.

Global BRASS @ Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 0300 266 600. 7:30pm. £15.00. (£12.00. concs.). Joint concert featuring two bands 560 miles apart - NASUWT Riverside Band (Chester le Street) & Concord Brass Band (Copenhagen). A Durham Brass Festival event.

Haftor Medbøe & Will of the People Quartet: Global Brass Jam - Live - Gala Theatre, Millennium Place, Durham DH1 1WA. 10:30pm. £10.00. (£8.00. concs.). Pan-European jam session. Will of the People Quartet line-up: Haftør Medboe (saxophones); Pete Furniss (clarinets); Jacob Karlzon (piano); Tom Bancroft (drums). A Durham Brass Festival event.

Blues/Soul/Funk/Country

Sold out!

k.d.lang - Summertyne Americana Festival, Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 7:30pm.

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The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 16, 2017

Colin Aitchison & Friends @ Blaydon Jazz Club - July 15

Colin Aitchison (trumpet & vocals); Franco Valussi (clarinet & vocals); Steve Andrews (clarinet, tenor saxophone & baritone saxophone); Roly Veitch (guitar) & Alan Rudd (double bass) + Olive Rudd (vocals) & Neville Sarony (vocals)
(Review by Russell)
A Zez Confrey tune to open proceedings; Stumbling written in 1922 (with thanks to Steve Andrews’ encyclopedic knowledge of the composers and musicians of the era!). This Blaydon Jazz Club gig, at the Black Bull as usual, was something of a departure in being a first ever lunchtime promotion. The unavailability of the room on the preferred Sunday evening necessitated the change, and fears of a low turn out were soon allayed as regulars rolled up bolstered by a large contingent from Hong Kong.

Blaydon Jazz Club supremo Roly Veitch extended an invitation to some friends to come along and play some tunes. Now an annual occasion, Hong Kong-based Colin Aitchison and Franco Valussi duly accepted, making a visit to Blaydon a top priority during their visit. Closer to home, a short hop over the Pennines reunited Cumbria-based Steve Andrews with Veitch, and closer still, Alan Rudd, based here on Tyneside, no doubt had time for a leisurely late breakfast. From Confrey to the Duke – Just Squeeze Me. Just perfect; small group swing, a purring rhythm section, impressive front line solos. A first vocal for trumpeter Aitchison; The Lady is a Tramp with his typical good time delivery, the smiles across the audience evidence of a good time being had by all.  A Franco Valussi feature – Memories of You – confirmed the class of the Italian clarinet maestro.

’S Wonderful was, it always is. Time for our first guest of the afternoon. Olive Rudd stepped up to sing Some of These Days, excellent stuff, we’d hear more from the Maine Street Jazzmen’s singer later. Fun time…Jeepers Creepers heard Colin and Franco sharing a mic…’where’d ya get those peepers?’ as Steve Andrews switched to clarinet to show he’s a match for Signor Valussi. Neville Sarony, of the Hong Kong touring party, joined the boys on the stand to ask: Do You Know What it Means to Miss New Orleans? Mr Sarony is a character; somewhere between a Valentino matinee idol and eloquent/elegant crooner. A ‘good value’ performer, Blaydon looks forward to the next time he’s in town. The first set closer, Oh, Lady Be Good, exemplified the afternoon’s choice material.

A choice of real ales, a decent pint of Guinness for some, a raffle generously supported by all, the interval flew by. With two master clarinetists in the house it was a fair bet that they’d have a bit of fun on a classic number and so it was Andrews and Valussi played Creole Love Call supported by . the ace string rhythm section of Messrs Veitch and Rudd. The other Rudd, vocalist Olive, made a return to the stage to give an energetic rendition of When You’re Smiling featuring Mr Rudd’s first rate bass playing. From Olive to Neville, with Andrews toting his baritone sax, Mr Sarony swore he could hear Buddy Bolden’s Blues drifting up the Tyne…yep, definitely! A sing-along Down by the River(Tyne)side engaged the audience, and a brief, unexpected interlude heard Steve Andrews in full flow reciting a poem in, as he said, a Sunderland-Gaelic accent including the line: Whoosh! Yer bugger. Aye, a class poetry reading here at the Black Bull’s literary salon! 
And so to the principal guest of the afternoon’s concert. Colin Aitchison, ever the jovial front man, on this gig he played, almost exclusively, muted trumpet. The exuberance, the joie de vivre, fine and dandy, but don’t be fooled, Aitchison is a class trumpet player. Squeezing notes, half notes, a plunger mute, the ex-pat Tynesider plays the kind of trumpet all too rarely heard these days. The vocals are always spot-on – less Louis on this session, more Aitchison – no more so than on It Don’t Mean a Thing with a two-clarinet support for good measure. A marvellous afternoon of jazz concluded with classic small combo swing – Swingin’ the Blues. Our Man in Hong Kong will return next year and when he does make sure you’re in town, you’re guaranteed to have a good time.
Photos.             
Russell.

2 comments :

Lance said...

Patti D mentioned to me, and I quote, "Oh yes, Roly sang Dear Bix at the Black Bull lunchtime session with Colin and Franco. I kind of requested it - just Roly, with guitar and bass. What a gorgeous number it is."
What a gorgeous number indeed. So sorry that I missed that.

LIz said...

love that number!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance