Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Sunday, April 09, 2017

Edis & Wilson @ Café Monk - April 7

Paul Edis (piano) & Graeme Wilson (tenor saxophone)
(Review by Russell).
One week on from this year’s Gateshead International Jazz Festival Newcastle’s Jazz Café struck gold with the return visit of Paul Edis and Graeme Wilson. A duo performance makes demands on the listener, and some don’t always listen. This evening’s performance of the lesser-spotted works of Thelonius Sphere Monk drew a large, attentive crowd. So crowded was the Jazz Café that some sat on the floor – disciples at the feet of the masters.

A charged atmosphere, a sense of anticipation at what was to come, lights down, a few bars in to a rare performance of Green Chimneys and it was lights out! Momentarily – a split second in reality – ‘Café Monk’ plunged into darkness. A power surge on Pink Lane, the energised duo of pianist Paul Edis and reeds master Graeme Wilson lit up the room on what was to become a memorable night. Scot Graeme Wilson addressed the audience without the need of a PA, his tenor projecting to the gallery. Placing Monk’s compositions in context – early to late career – Wilson speculated as to the meaning of some of the titles. Early period Monk – We See – featured brilliant solos from Edis and Wilson, and this was to be the pattern throughout the evening. First Edis then Wilson, another tune Wilson then Edis.

The quality of performance sustained at an exceptionally high level marks out this gig as one of the great performances of the year, come to that, any year. Detailing each and every solo is somewhat of a redundant exercise – take it as read that all solos, indeed every note, played were nothing less than superb. Four in One, Ugly Beauty (with unintentional accompanying espresso coffee machine coda!), Gallop’s Gallop, Café Monk’s patrons applauded long and loud. Epistrophy (later reprised as an encore), Bright Mississippi, the wonderfully titled Trinkle, Tinkle, a ballad (Monk’s Mood), the audience would have hung around ’til midnight. Edis and Wilson concluded their masterclass with a marvellous Jackie-ing and Hornin’ In.

A packed Jazz Café attracted the usual faces, a few new faces (they’ll be back!) and a posse from the BABMUS/Jambone/Early Birders’ collective. These young musicians know their stuff – it’s good to know they made the effort to check out Paul Edis and Graeme Wilson. A five star evening.

Russell.                 

2 comments :

Steve T said...

When the cats are at play, the mouse has to stay away, which I (being the mouse) totally understand, but had I known this was all about Monk(and I'll no doubt get into more bother with Lance for not knowing), I'd have spoilt his little game anyway.
I've confessed before to being a Monk philistine but haven't given up and I'm still fascinated by him.
I wonder how much this was inspired by the historic Monk/Trane collaborations considered so vital to the latters development.

Lance said...

You're not alone re Monk. It took me a long time to appreciate the creativity of the man - as a pianist (I once heard him referred to as the 'Les Dawson of jazz') However, what was immediately apparent to me was his merit as a composer. Monk is up there with Ellington (another sometimes quirky pianist), Mingus, Stan Tracey, Gil/Bill Evans, Tadd Dameron and a handful more.

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