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Bebop Spoken There

Val Wilmer: "The festival [New York Musicians Festival], an impressive exercise in African-American self-reliance, had come about after the promoter George Wein had moved his annual Newport Jazz Festival to New York the previous year [1972], and paid scant attention to the avant garde." - (Wire June 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

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As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Friday, April 21, 2017

CD Review: Jazzmain - Live at the Blue Lamp

Nick Gould (tenor); Steve Grossart (keys); Iain Harkness (bass); Kevin Dorrian (drums).
(Review by Lance).
Recorded live at "The Lamp" in Aberdeen last November, Jazzmain's second album is every bit as good as the first and maybe even better. Like most live recordings, the balance isn't perfect although it improves as the disc progresses or maybe it's my ears adjusting to the acoustics. Whatever, the music more than makes up for it. Play this in a blindfold test and I think many a listener would assume it had been recorded live at, say, the Five Spot or the Village Vanguard in NYC by a band from the 1950s' Blue Note label.
Of course, if you're a habitue of the Edinburgh jazz scene you may not be fooled. Likewise, regulars at Newcastle's Jazz Café jam sessions will possibly recognise Nick Gould's tenor playing. Gould is an occasional, and popular, jammer at the bi-Tuesday blows.
His gutsy tenor takes Jazzmain through a choice selection of GASbook items: Sunday in New York; Have You Met Miss Jones?; Tin Tin Deo; Funk in Deep Freeze; Tangerine; You Don't Know What Love is; Cheesecake.
Grossart, on keyboard, is no slouch either providing foil and support for front man Gould whilst Harkness is the anchor man although he doesn't drag and nor does driver Dorrian.
It's significant that Hank Mobley and Dexter Gordon provide two of the numbers as those two tenormen were surely among Gould's early influences.
After the posts re YES and Bob Dylan, this is, I quote, The promised kiss of springtime!
Highly recommended.
Check out Sunday in New York.
Lance

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