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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, January 18, 2017

Jazz Café Jam Session - January 17.

 (Review by Lance).
The first Jazz Café jam of 2017 began low key with guitarist Mark Williams at the helm in place of the, so we thought, still cruising Pete Gilligan. Lovingly caressing his recently acquired Heritage guitar, Mark set the mood with Out of Nowhere, I Love You and I Remember Clifford. With Morgan and Grainger providing solid support, the scene was set for the big hitters in the room to stand up and be counted.
First to show was Pete Tanton of SSBB and the Riviera Quartet. Pete, blowing open horn, did justice to Four and Bye Bye Blackbird. But, why have one trumpet when you can have two? Ray Johnson came down from the hills and the two brassmen had a friendly joust on There Will Never be Another You.

Time for a change. Nick Gould, the big sounding tenor player from Edinburgh, paired up with Johnson, young Matt Mackellar took over on drums and Pete Gilligan who, it would appear, was no longer cruising in the Antipodes occupied the piano stool for Johnny Mercer's Tangerine and somebody else's On Green Dolphin Street. The evening was just getting better and better!
Stu Finden joined Nick for a two tenor workout on Stella by Starlight before Pete Tanton added his weight to the front line for Billie's Bounce. John Pope had also appeared and Mark returned.
Like Someone in Love featured the two tenors with some scintillating interplay between them.
And still the troops kept on arriving!
This time it was Don Forbes, trumpet loaded and in the firing line. It was one of those boppy numbers that I can never remember the title of - it may have been Au Privave. Outstanding was Mackellar's solo on brushes.
There hadn't been any vocalists so far.
There was now!
Minnie Fraser gave outstanding performances of That Old Devil Moon and Stardust.
Pete was back on piano, Paul on bass and James Anderson, over from Ireland, on drums.
So, in the course of the evening, we'd had an American, a Scotsman, two Irishmen and an assortment of Englanders for a truly cosmopolitan night's jazz.
Next jam is on St. Valentine's Day.
Lance.
Mark Williams (guitar); Paul Grainger (bass); Russ Morgan (drums) + Pete Tanton, Ray Johnson (trumpets); Nick Gould, Stu Finden (tenors); Pete Gilligan (piano); John Pope (bass); Matthew Mackellar, James Anderson (drums); Minnie Fraser (vocal).

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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