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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, January 01, 2017

CD Review: Alex Levine Quartet - Towards the Center

Alex Levine (guitar); Marcus Elliot (tenor); Ben Rolston (bass); Stephen Boeegehold (drums).
(Review by Lance).
This one hit the street in October last year (yes 2016 is now in the past!) but, just as it was nearing the top of the pile, a blockbuster would drop onto the player pushing the Alex Levine Quartet back down the queue.
Towards the Center isn't a blockbuster - it's too subtle for that - and certainly doesn't deserve to be overlooked so, belatedly, here it is.
It's dedicated to the visionary musician, poet, and artist, Henry Grimes who provided Levine with immeasurable creative wisdom and guidance during many hours of private lessons both playing and in conversation. 
One of Levine's all-original compositions on the album, Adama, is inspired by Grimes' poem Adama and Porquory. The poem and the composition is a spiritual history of human beings beginning with total harmony, unity of purpose and understanding, to disorder and conflict, and disparate human mythologies created to define the inexplicable forces that have shaped our universe.
Phew!
This takes 2:43. which sure puts the Reduced Shakespeare Company's The Complete Works (90:00) into perspective. Having said that, beautiful as the piece is I don't think there is enough mood change to convey the poem's intention. Nevertheless, outstanding bass playing from Rolston both as a soloist and intertwining with Levine, combine to make for an introspective and compelling track.
Putting the spiritual history to one side and listening to all  13 tracks without the distraction of human mythologies and inexplicable forces it is an excellent session by four superb musicians. Elliot can mix it with the best. Like Levine, he plays with a knowledge of the past and an eye to the future. Levine's compositions are a credit, not just to his mentor Grimes, but to his own creativity. The interplay between guitar and tenor is mutually complemental and I'm sure there will be more from them.
Boeegehold's drums fit the mood and hold it all together.
But perhaps Michael Malis, in his notes, made the moist relevant comment re the album's title.
"When we seek recognition we look outward. But when we seek wisdom we look Toward the Center."
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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