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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Thursday, January 26, 2017

CD Review: The Scottish National Jazz Orchestra with Bill Evans - Beauty & the Beast

Part 1: After a Kentonesque intro (had Kenton still been around) Bill Evans, who isn't a reincarnated pianist nor an aka Yusef Lateef, erupts on soprano. This is definitely the beast.
Part 2: A change from major to minor mood suggests that the beast is eying up a young lady who has entered his castle. The mood now is Ellington/Mingus and Evans is both beauty and beast as the scene changes. Even if this had been called Fish and Chips it would still have been one magnificent piece of writing and playing. Oh dear, I think the young woman is in turmoil - where is daddy?
Part 3: Steve Hamilton brings this one in. Building tension. Is beauty running around trying to escape or is she fighting an attraction for the beast who is now blowing tenor? He's coming on strong.
This is wilder than Kenton ever dreamed of - makes City of Glass sound like Mantovani!
Part 4: Tenor blows a cadenza then, once again the minor key. Something big going down here. There's a Disney movie doing the rounds but the soundtrack couldn't be any more atmospheric than this! Wild tenor playing - has our girl been deflowered? Melodic interlude, is this love or lust?
Part 5: Gentle. Beauty, reflects on her status, is she in love with the beast? The soprano playing suggests she might be.
Part 6: The arranging, as it is throughout is perfection. Think Stan Getz's Focus with Eddie Sauter. Evans and Smith are well up for it, maybe even surpassing it. The tenor playing is wild, has the beast gone crazy? Has love driven him over the edge? He wouldn't be the first!
Part 7: A melancholy opening, soprano in a romantic mood but, [me] having, belatedly, read the fairy tale (I should have done that first) perhaps it's the discovery that the beast appears to have died of a broken heart due to the object of his affection being late in returning to the castle - aren't they always? Soprano runs the changes like a woman frantic at her loss taking it out on his pet dragon. She didn't care that the beast was ugly - she'd seen beyond that and loved him for his inner self. She cries and that tear lands on his cheek and he is alive again and they both live happily ever after!
This is, perhaps, the ultimate jazz concerto. The composing, the arranging, the rehearsing - the time even these top guys must have spent getting it right must have been awesome. Tommy Smith and his clan presented Evans with a put up or shut up challenge. A challenge he accepted and he certainly put up! My only criticism is that I'd rather Smith had given each movement a title rather than Parts 1 - 7. That way I wouldn't have had to put my totally wrong take on the portrayal.
That aside, a magnificent achievement by all concerned.
The CD was released in October last year and, if Jazz Journal had invited me to take part in their annual Critics Poll it would have been high on the list.
Available on Spartacus Records/samples.
Lance.
Ryan Quigley, Ewan Mains, Lorne Cowieson, Tom McNiven (trumpets); Chris Grieve, Kevin Garrity, Michael Owers, Lorna McDonald (trombones); Martin Kershaw, Paul Towndrow (alto); Tommy Smith, Konrad Wiszniewski (tenor); Bill Fleming (baritone); Steve Hamilton (piano); Kevin Glasgow (bass); Alyn Cosker (drums).

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