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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 03, 2016

Jazz Café Jam Session - Feb. 2

(Review by Lance)
Whilst there was a gale force wind outside, they were also blowing up a storm inside and, although the jammers weren't standing ten deep at the bar waiting to give it their best shot, those that were there did themselves proud.
On drums tonight a rare appearance by Dave McKeague - he did good. Bradley and the trio got things rolling with A Weaver of Dreams and Jim Hall's Waltz New, a number that went seamlessly from 3/4 to 4/4 with no loss of momentum, swinging all the way. No More Blues then Watch What Happens.
What happened was a belter of a drum solo from McKeague.
Gilligan relinquished the piano and the brave Anyfantis took over - any pianist who follows Gilligan is brave! Nevertheless, George did okay with All of Me and Secret Love.
Enter The Broons. Father and son, bass player and pianist. Young Joel now sports a beard, not yet of Graingerlike magnitude but suffice enough to indicate he's maturing fast, rather like his piano playing which is beginning to take on a more contemporary edge. Pater Brown, his pate totally bereft of hair, gelled with his offspring on All the Things You Are and Things Ain't What They Used to be with Bradley on fire as ever.
Time for Gowland, on alto this week, to take centre stage as the house trio reassembled for Broadway - the 1940 number  - not to be confused with The Drifters' On Broadway, This tribute to the Great White Way swung.
The Chick Corea/Gary Burton number Crystal Silence wasn't a swinger but a meditative searching opus that was deservedly applauded vociferously.
Duncan Walker, on tenor this week, invited us to Take the A Train followed by a sensuous In a Sentimental Mood.
Lamb and Gowland, away from SSBB, teamed up for Bye Bye Blackbird. This was the real deal! Blistering trumpet, paint-stripping alto, pianistic perfection, rock solid basslines and kick-ass drumming.
Lamb went into ballad mode for Victor Young's Beautiful Love then Gowland joined him for Freddie Hubbard's great 'waltz' Up Jumped Spring.
As I left, Days of Wine and Roses wafted across the room - quite a night!
Photos.
Lance.
Pete Gilligan (pno); Paul Grainger (bs); Bradley Johnston (gtr); Dave McKeague (dms) + George Anyfantis (pno); Joel Brown (pno); Steve Brown (bs); Paul Gowland (alt); Duncan Walker (ten); Michael Lamb (tpt); Nick Kalanek (dms).

1 comment :

  1. Apologies for not mentioning Nick Kalanek who sat in on drums towards the end. Great stuff, Nick!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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