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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16527 (and counting) posts since we started blogging 16 years ago. 407 of them this year alone and, so far, 29 this month (June 12).

From This Moment On ...

June

Thu 13: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. Upstairs.
Thu 13: Musicians Unlimited @ Dorman’s, Middlesbrough. 8:00pm.
Thu 13: Jazz Guys @ Tynedale Beer & Cider Festival, Corbridge. 8:00pm.
Thu 13: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 13: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Musicians Unlimited

Fri 14: Mark Williams Trio @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Strictly Smokin’ Big Band @ Queen’s Hall, Hexham. ‘Ella & Ellington’. 7:30pm. £18.00.
Fri 14: Customs House Big Band @ Customs House, South Shields. 7:30pm. Donations (online, min. £3.00.).

Sat 15: Keith Barrett & Andrew Porritt @ Cullercoats Crescent Club. 12 noon. Free. A Cullercoats Festival event.
Sat 15: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm.
Sat 15: James Birkett & Emma Fisk @ Sunderland Minster. 7:30pm. £15.00., £8.00. (u16s free). ‘The Great American Songbook’. A Bishopwearmouth Choral Society event, conductor David Murray.
Sat 15: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 16: Jason Isaacs @ Stack, Seaburn SR6 8AA. 1:00-2:45pm. Free.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 16: Gaz Hughes Trio @ Queen’s Hall, Hexham. 3:00pm. £10.00.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Gaz Hughes Trio @ The Globe, Newcastle. 8:00pm.
Sun 16: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: ‘Tower of Power’ @ The Library Bar, Saddler St., Durham . 7:30pm.Free. A Durham University Jazz Society event. All welcome.

Tue 18: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. ‘Jazz, Sausage ‘n’ Mash’…’with Onion Gravy’!
Tue 18: Jam Session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Tim Johnston.
Tue 18: Libby Goodridge & Ben Davies @ The Lost Wanderer, Leazes Park Road, Newcastle. 8:00pm. £6.00. Triple bill, inc. Goodridge & Davies (jazz).

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Friday, February 12, 2016

CD review: Aruán Ortiz Trio - Hidden Voices

(Review by Alan Law.)
This is a new piano trio album from the Cuban born pianist, violinist composer and arranger Aruán Ortiz .joining him on bass is Eric Revis is and Gerald Cleaver drums.
All new names to me, but a cursory look on Google revealed Ortiz has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films. His work incorporates influences from contemporary classical music, Cuban-Haitian rhythms, and avant-garde improvisation
On the composers website there is reference to a recent project in which non musical patterns and ideas were explored as fuel for improvised music.
This may explain some of the titles of the original compositions, which frequently refer to mathematical concepts.
Fractal Sketches starts with a dissonant grooving pattern, augmented by a dramatic percussive left hand with scurrying bass and drums, Open And Close /The Sphinx an Ornette Coleman tune, imaginatively re-interpreted with a cool bass figure periodically giving way to bright classical sounding passages Carribean Vortex/Hidden Voices begins with an unfamiliar clave pattern that becomes a percussion conversation, and the rhythmic drive continues when the trio begin. There is some dissonance involved, however, the pedal point and strong rhythm holds the listener well.
Analytical Symmetry intensity in one area is offset by the other players in this brooding exploration.
Arabesques of a Geometrical Rose (Spring) a spacious meditative piano solo with some gently mind expanding harmonic contrary motion.
Arabesques of a Geometrical Rose (Summer) a compelling hypnotic bassline underscores this very different take on the subject matter.
17 Moments of Liams Moments (or 18) is a brief composition that manages to sound avant garde yet structured, and is curiously evocative.
Joyful noises is a collective textural improvisation, punctuated by occasional timed bold chords. The Monk standard Skippy follows, the theme is there but has been deconstructed and re wrought by this masterfully creative trio.
Uno Dos Tres , Que Paso , is a solo piano piece and the last tune on the album.
It has a simple memorable melody (you can hear the rhythm of the title syllables throughout) that serves as a basis for a beautifully contemplative exposition.
The listening warranted time and my best stereo set up, it’s not something I could get into in the car, but I found it extremely rewarding when I gave the attention it warranted.  
The album is well recorded with a great sounding piano in particular, and if your ear can handle a bit of dissonance there is something deeply impressive here.
The improvised passages are marked by a commitment to the total sound of the music, as well as weapons grade virtuosity, and the effect is a sense of instant composition and arrangement, which is very satisfying in itself. However, I also found myself very engaged emotionally and rather touched on several occasions.
Imaginative, cerebral and very emotionally engaging, I found this a serious, and seriously good, contemporary jazz album.
Alan.
Aruán Ortiz Trio - Hidden Voices is available on Intakt Records.

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