Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,012 (and counting) posts since we started blogging 18 years ago. 876 of them this year alone and, so far this month (Oct. 16) 55.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.

Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.

Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.

Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.

Thursday, February 19, 2015

The Road to Hong Kong with Colin Aitchison Part Three

When one door closes another door opens. With Steve's blessing, my next chapter was the cruise ships. I was offered a job on the Royal Cruise Line Ship "The Golden Odyssey".  This was through Nick Ross, who still has a popular big band going on in the UK today. I was with the relief band on the ship on their Vancouver-Alaska sailing.   What a chance to get to see the world and get paid for it. The band backed up Broadway shows and cabaret acts and I must say that this was when my sight reading was at its best.  We were lucky to get one night off each month, plus band calls galore and temperamental cabaret acts. There was a fond memory of a 30 minute chat with Vincent Price on deck while in port at Nagasaki.
When the relief stint came to an end, I was asked to stay on board to join the Mike Fackrell band (Pictured) as their trumpet player. It was during one of the Golden Odyssey's Asian Cruises that I happened to be in Singapore and became friendly with piano player Paul Gostelow. He asked if the band would be interested to take up a 6-month residency in Taiwan. Whether it was my Geordie accent or my poor geography .. I do not know. I urged our the bandleader Mike Fackrell to contact Paul asap as we had a fantastic chance to work at a nightclub in Thailand! It was paradise. After a 10 minute conversation, Mike called me into the room. I will never forget Mike's face and his words .."Colin my boy, you got your "T's" mixed up".The job offer is for Taiwan not Thailand !!
So in 1987, the band left the ship we went on to work in Taipei, Taiwan.  It was a 6 month contract at a nightclub.  It was a little like going back to the days of the speakeasy but more on the posh side and very shady. The drummer in our band was Steve Rushton who went on to take Ronnie Varrells place in the Syd Lawrence orchestra. When the 6 month contact came to and end. most of us decided to stay on in Asia, and Taiwan was a good a place as any to start.
In the 1980's Taiwan was a bit like the wild west. I boldly decided to form my own band. With a Canadian trumpet player Tom Shorthouse, and some local talented Filipino musicians we called ourselves "Foreign Affairs". I played the trombone with this band. Our repertoire was some jazz, pop and slapstick comedy. The locals loved it.  I also formed a Dixieland Band "The Ploughman Stompers" plus the "Tom Colin's Big Band" for the Farmhouse pub for Sunday afternoon jam sessions. The music scene was lively and the bands were very much in demand. Life was good.
It was here in 1988 that I met my lovely wife Jeannie who is from Singapore, but was working in Taiwan at The Ritz Hotel. She tried often to book bands for events at the hotel.
On one of the Farmhouse Jam Sessions I met Hong Kong  bandleader Ken Bennett of The Kowloon Honkers. They were the Resident Band at Ned Kelly's. Ken also managed three bands at Ocean Park. Ken made an open offer that  if I’m across on a visa run or holiday, I could perhaps stand in for him when he was on holiday?  It was another door and another option.  The visa situation in Taiwan was slowly but surely becoming uncomfortable, as the authorities were starting to clamp down on illegal workers. Yet there was no official way to get a work permit! After 6 years I was once again at a crossroads. To go back on the cruise ships (for a New Orleans and Amazon cruise) or to keep my feet on dry land and take a chance for a 2 month summer season in Hong Kong. I decided for Hong Kong, which was then a British Colony
I moved to Hong Kong in 1993, and Jeannie followed a few months later after completing her contract. It was fairly easy for her to get a job in one of the many hotels in Hong Kong.   My first summer in Hong Kong saw me working for Ken Bennett's German Oom-pah band in the daytime, and some Sunday nights at Ned Kelly's. At the end of the summer, it was odd gigs here and there. Jeannie was still in Taiwan completing her contract. I was a stranger in Hong Kong, trying to find a start.
It was my good fortune to meet up with Lt-Col David Kerr who was the CO at the Royal Logistic Corps in Hong Kong. He suggested that with the imminent handover in 1997, more units were being disbanded and it would be a great spot for a small. mobile and affordable band.  Hence in 1993, our quartet "The China Coast Jazzmen" was formed.  There were numerous events over the next 4-5 years and the band made quite a name for itself. 
It was somewhere during this period (1994-5) when I was once again offered a cruise of a life time - a chance to join the old band for a 2 month South American cruise on the SS Rotterdam. It was a lovely old steamship. It was a memorable trip, and where I had a chance to meet Buddy Greco and have a good chat about his days with Benny Goodman. Jeannie ran the business and the bands during my absence and kept things afloat.
With the handover approaching, Ken Bennett decided to leave Hong Kong. It was now my time.  That year, I was asked to be the full time bandleader at Ned Kelly's. It was also the year when our tender to supply bands to Ocean Park was accepted. Added to that, the Peninsula Hotel found our old folio (from a couple of years before) and I was asked if we could supply a quartet for their lobby.  1997 was a good year!
Colin.
Link to Part One.
Link to Part Two.

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