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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17641 (and counting) posts since we started blogging 16 years ago. 915 of them this year alone and, so far, 60 this month (Dec. 26).

From This Moment On ...

December

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00. CANCELLED!
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.
Tue 31: Jan Spencelayh Quartet @ Jackson’s Wharf, Hartlepool. 5:00-9:00pm. A NYE ‘Dinner-Dance’ event. £42.99. Featuring special guest Mick Donnelly.
Tue 31: Jack Logan @ The Robin Hood Inn, East Wallhouses NE18 0LL. Tel: 01434 672549. 7:00pm. £59.95. ‘New Year’s Eve Gala Dinner’. Rat Pack etc.

January 2025

Wed 01: Revolutionaires @ The Old Barrel (Flatties), Boldon Colliery. 3:30pm. Free. Excellent rhythm & blues.

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Sat 04: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £5.00. Xmas party (rescheduled from early December).

Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, February 24, 2015

CD Review: ISQ - Too

Irene Serra – vocals; Richard Sadler – double bass; Chris Nickolls -  drums; John Crawford – piano.
(Review by Debra M.)
‘Too’, the second album from Irene Serra’s quartet, is a collection of 8 original songs, with well-penned lyrics largely musing on various aspects of relationships.  Serra’s  warm, bluesy & delicate voice remains to the fore throughout,  with the relatively restrained John Crawford on piano supplementing with riffs & chords in the background. 
In contrast, Richard Sadler’s  double bass gives  melodic counterpoint, and is  particularly effective in the second track ‘Falling Stars’, where he also  plays one of the few solos on the album.  The melancholic ‘Tears of a Clown’ stands out, with delicate and spacious backing from the trio.  In ‘Zion’,  Chris Nickolls grooves  a  rhythmic dynamism,  which may be why it has been selected as a single release.  Crawford finally lets loose in the last track ‘Light and Shade’, allowing his colleagues on drums & bass to develop the dynamic of the trio.  Maybe the limited use of improvisation  reflects the  quartet’s ‘development of   their crossover sound’, but some of these tunes  may  benefit from a little more musical exploration, and would  be more compelling as a consequence.
Debra M.

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