Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Tuesday, June 24, 2014

Book Review: Off Key by Mark Robertson.

(Just a reminder that Mark Robertson's excellent first novel is officially launched this Saturday June 28 - follow this link to learn more - Lance)
The definitive jazz novel, in my opinion, has yet to be written despite the efforts of many well known literary figures. Evan Hunter's Second Ending perhaps came closest - until now that is.
Mark Robertson's Off Key could only be written by someone at the heart of a provincial jazz scene and whilst I'm sure it isn't semi-autobiographical, the characters and situations are so familiar and, occasionally, thinly disguised it might well be. The fact that it's set in the north-east adds credence to the theory. 
Fiction it well may be, but it does relate to life in the jazz lane - The grotty gigs out in the wilds with an audience of three, the rusting band van forever breaking down, the wayward self-destructing genius, the struggle to maintain a home life with a jazz life, the conflicting personalities in any group of two or more (in this case four) etc.
Mark Robertson has successfully merged all these ingredients and more into 108,000 words - not one of which I skipped - particularly page 262 where a well known jazz blog is mentioned!
Off Key began life as a screenplay before surfacing as a novel.. If it ever reverts to its original format the BBC or ITV will have no problem with the casting - they're all in a jazz club near you.
The author's cover comment "The greatest story ever told about love ... and jazz (in Sunderland)" perhaps needs to be amended to cover a wider area! Highly recommended.
Mark Robertson's novel, Off Key  is published by Matador Press and available now.
ISBN: 9781784620073 - Paperback; £8.99 
eISBN: 9781784626785 - ebook: £2.99
Lance.
Synopsis. 
OFF-KEY BY MARK ROBERTSON                             
THE GREATEST STORY EVER TOLD ABOUT LOVE and jazz . . . in Sunderland.
Once unheard of, Charlotte and Kyle’s relationship is becoming ever more commonplace in today’s society. She is the breadwinner and Kyle, in his own eyes at least, is a musical genius. Should Charlotte accept playing second fiddle to a saxophone or should she listen to her best friend, Dainty.
 “One day you’ll wake up. Kyle will be gone and you’ll be left with a basket of dirty Y fronts and ovaries that look like walnuts.”
Will Charlotte take Dainty’s advice and go?  And if she does what is left for Kyle? Only an autistic boy to get through a music exam and an alcoholic has-been to rehabilitate.
As for Dainty, why should she be beholden to vows that he cast aside for nothing more than a shag with her best friend?  “For richer, for poorer, in sickness and in health” . . . in bed with her and in bed with her bridesmaid! Bastard!
Author Mark Robertson, himself a professional musician, has written about a present day dilemma, what role should each person play in a relationship?  He knows the half-world of gigs and record producers, all waiting for that elusive break, those partners who cheer them on and the others whose patience sometimes runs out. 
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