Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Monday, February 10, 2014

CD Review: Tord Gustavsen Quartet - Extended Circle

Tord Gustavsen – Piano, Tore Brunborg – Saxophones, Mats Eilertsen - Double Bass, Jarle Vespestad – Drums.
(Review by Steve H.)
Norwegian jazz tends not to be the wild swinging sort of music that originated from New Orleans;  in fact when you hear of Norwegian blues I’m sure  many people think of the legendary Monty Python parrot sketch . This album by Norwegian pianist Tord Gustavsen, his sixth for the ECM label, will not disavow you of any preconceived ideas about the Nordic interpretation of this musical art form. However,  for those who appreciate subtle, meditative, atmospheric and thought provoking music,  I can thoroughly recommend you give this genre a listen and hopefully it will have you ‘pining for the Fjords’.
We are lulled into this album with Right There a slow and gentle introduction played by the rhythm trio. The next song is a take on that well known Norwegian Hymn Eg Veit I Himmerik Ei Borg (A Castle in Heaven), the rhythm section take the early lead with Vespestad featuring prominently on snare, ushering Brunborg to perform a soaring emotional sax solo. Entrance is a short stark minimalist piece. The Gift , another trio piece is a mellow meditative ballad. Staying There, within  the context of this album,  is a lively funky number although even the ladies of Hoochie Coochie might struggle to dance to it. Back on calmer territory with Silent Spaces  which does what it says on the tin. A reprise of Entrance with more haunting Saxophone from Brunborg leads into Devotion another piece inspired by sacred music and if my local church offered peaceful inspired music like this I would be a regular attendee. The Embrace is almost a jolly tune and builds to a quite rousing, might I say, uplifting finale. The penultimate track Glow,  a powerful brooding quartet number, is preceded by  a short solo from bassist Mats Eilertsen  Bass Transition. The album finishes as it began with the return of the trio in The Prodigal Song  to send us away relaxed and calm as if we had just  spent a very rejuvenating  hour in the sauna. 
Steve H.

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