Total Pageviews

Bebop Spoken There

Georgia Cécile: "For me, whether it's an instrumentalist or a singer, they have to be telling a story." - (JazzWisee July 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,629 (and counting) posts since we started blogging just over 12 years ago. 764 of them this year alone and, so far, 28 this month (July 8).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, January 04, 2014

Rendezvous Jazz @ The Black Horse. January 3

Maureen Hall (vocals), Barry Soulsby (clarinet & vocals), Iain McAulay (trombone, trumpet & vocals), Roy Gibson (keyboards), Jim McKeown (drums) & Doris Fenn (banjulele)
(Review by Russell)
Some people never learn; one should not attempt - not for the first time - to enter by the main door. Oops! Almost sent piano man Roy Gibson flying, positioned, as ever, back to the door, hard up against it. Typical pub gig set-up; pianist against the door, drummer in the bay window, front line seated, partially obscured from view by ill-considered partitioning (ship’s wheel, for some reason). The Cullercoats Brewery was represented on the bar (Shuggy Boat Blonde), so too the rarely seen cask Bass. A good start to the afternoon.
Cadbury Cream Eggs are in the shops you know. To celebrate, clarinetist Barry Soulsby led off with Easter Parade. Good Egg Soulsby’s silky clarinet shared frontline duties with multi instrumentalist Iain McAulay (trombone and some trumpet, thankfully/sadly - delete as applicable - the amiable Scot had locked away his bagpipes for another year). Maureen Hall sang a few tunes, for the most part content to shine the spotlight on her charges. Hall told us You’re Nobody Till Somebody Loves You and to commemorate one of the band sporting a shiner (name withheld), offered an excellent take on Black and Blue. McAulay sang China Boy, Roy You Hum It Son, I’ll Play It Gibson supplied, right on cue, decorative Oriental accompaniment. Hall closed the first set with a rousing I Double Dare You. Interval raffle tickets (sold a pup), Bass no longer available (he who hesitates), another Shuggy Boat a more than acceptable substitute.
Hall welcomed Doris Fenn to the ‘bandstand’ (a seat in the carpeted engine room alongside stoker-in-chief Jim McKeown). You’re Nobody’s Sweetheart Now heard Hall at her best (rhythm section cookin’) and a highlight of the year (early days!) featured McAulay’s trombone on Georgia. A good session. Lunchtime sessions are clearly to the liking of the regulars at the Black Horse. Night owls can catch the band along the coast on Saturday night (Jan 4) at the Sandpiper on Farringdon Road in Cullercoats. Admission £3.00. – a bargain to be sure with the additional delights of Don Fairley (McAulay and Fairley, two of the finest ‘bonemen east of the Mississippi) and star clarinetist Gavin Lee. 8:30 stomp off.   
Russell.           .                        

No comments :

Blog Archive