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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 04, 2014

Rendezvous Jazz @ The Black Horse. January 3

Maureen Hall (vocals), Barry Soulsby (clarinet & vocals), Iain McAulay (trombone, trumpet & vocals), Roy Gibson (keyboards), Jim McKeown (drums) & Doris Fenn (banjulele)
(Review by Russell)
Some people never learn; one should not attempt - not for the first time - to enter by the main door. Oops! Almost sent piano man Roy Gibson flying, positioned, as ever, back to the door, hard up against it. Typical pub gig set-up; pianist against the door, drummer in the bay window, front line seated, partially obscured from view by ill-considered partitioning (ship’s wheel, for some reason). The Cullercoats Brewery was represented on the bar (Shuggy Boat Blonde), so too the rarely seen cask Bass. A good start to the afternoon.
Cadbury Cream Eggs are in the shops you know. To celebrate, clarinetist Barry Soulsby led off with Easter Parade. Good Egg Soulsby’s silky clarinet shared frontline duties with multi instrumentalist Iain McAulay (trombone and some trumpet, thankfully/sadly - delete as applicable - the amiable Scot had locked away his bagpipes for another year). Maureen Hall sang a few tunes, for the most part content to shine the spotlight on her charges. Hall told us You’re Nobody Till Somebody Loves You and to commemorate one of the band sporting a shiner (name withheld), offered an excellent take on Black and Blue. McAulay sang China Boy, Roy You Hum It Son, I’ll Play It Gibson supplied, right on cue, decorative Oriental accompaniment. Hall closed the first set with a rousing I Double Dare You. Interval raffle tickets (sold a pup), Bass no longer available (he who hesitates), another Shuggy Boat a more than acceptable substitute.
Hall welcomed Doris Fenn to the ‘bandstand’ (a seat in the carpeted engine room alongside stoker-in-chief Jim McKeown). You’re Nobody’s Sweetheart Now heard Hall at her best (rhythm section cookin’) and a highlight of the year (early days!) featured McAulay’s trombone on Georgia. A good session. Lunchtime sessions are clearly to the liking of the regulars at the Black Horse. Night owls can catch the band along the coast on Saturday night (Jan 4) at the Sandpiper on Farringdon Road in Cullercoats. Admission £3.00. – a bargain to be sure with the additional delights of Don Fairley (McAulay and Fairley, two of the finest ‘bonemen east of the Mississippi) and star clarinetist Gavin Lee. 8:30 stomp off.   
Russell.           .                        

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance