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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know if they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019).

Archive

Today Sunday November 17

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Binker Golding Band + Noya Rao + Francis Tulip Quartet - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. £12.00. & £5.00.

Peter Roughead & the Tweed River Jazz Band - Pier Red, Castlegate, Berwick TD15 1LF. Tel: 01289 309168. 3:00-5:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul/ Etc.

Memphis Cruiser - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Wandering Monster + Thomas Dixon Quartet - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 1JY. 3:30pm. £8.00. + £1.13 bf (£5.00. + £1.13 bf, concs.).

Groovetrain - Hoochie Coochie, Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 5:30pm (4:00pm doors). £10.00.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Classic Swing - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 414 2846. 8:00pm. £7.00.

Blues/Funk/Soul

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, January 24, 2014

Enhance Your Jazz Skills With African Percussion

(By Ann Alex)
You too could sound like Hannabiell and Midnight Blue (at least a bit!) if you took up African Percussion, which is a course offered by Sage Gateshead in Gateshead Old Town Hall (GOTH) on Wednesday afternoons, as part of the Silver Programme.  I’ve thoroughly enjoyed the first 2 weeks of term 2, when we’ve been playing African hand drums, which are known as Djembes.  These drums are from West Africa and come in various sizes, so every drum is pitched slightly different. Djembes produces 3 different tones, according to whether you play with the fingertips on the rim; with all the fingers further in; or with the whole hand in the middle of the drum.
We've learned a tune from Bukina Faso, which involves the group being divided into 3 parts, each part playing a different rhythm.  There’s a regular groove, a tricky counter rhythm and a slower rhythm which imitates a train, rim rim RIM, in IN in in in.  Perhaps readers can imagine the thrill of playing in rhythm whilst listening to the other drums.  If you close your eyes you could take yourself to the heart of Africa but without the heat.  There’s also a song to go with this, but so far we’ve found it impossible to do both drum and song at the same time.  If you think this sounds easy, just try it at home!  Unless, of course, you’re a jazz drummer and if that’s the case you’ll find it easy, that is if you can sing.
We’ve also done a piece called Zimbabwe, where the song is an integral part of the piece.  This is easy to remember as alternate hands are used.  Every word of 1 syllable is played on the rim and words of more than 1 syllable (eg Zimbabwe) are played in the middle.  Easy Peasy so far, but then it turns out that there are about 4 other parts to the tune!
There are also hand bells in sets of 2 which are larger and louder than the agogo bells used in Samba drumming.  We’ve yet to tackle those.  But I’m sure all this is great for practising rhythms and teamwork in time for the next jazz jam.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance