Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, January 24, 2014

Enhance Your Jazz Skills With African Percussion

(By Ann Alex)
You too could sound like Hannabiell and Midnight Blue (at least a bit!) if you took up African Percussion, which is a course offered by Sage Gateshead in Gateshead Old Town Hall (GOTH) on Wednesday afternoons, as part of the Silver Programme.  I’ve thoroughly enjoyed the first 2 weeks of term 2, when we’ve been playing African hand drums, which are known as Djembes.  These drums are from West Africa and come in various sizes, so every drum is pitched slightly different. Djembes produces 3 different tones, according to whether you play with the fingertips on the rim; with all the fingers further in; or with the whole hand in the middle of the drum.
We've learned a tune from Bukina Faso, which involves the group being divided into 3 parts, each part playing a different rhythm.  There’s a regular groove, a tricky counter rhythm and a slower rhythm which imitates a train, rim rim RIM, in IN in in in.  Perhaps readers can imagine the thrill of playing in rhythm whilst listening to the other drums.  If you close your eyes you could take yourself to the heart of Africa but without the heat.  There’s also a song to go with this, but so far we’ve found it impossible to do both drum and song at the same time.  If you think this sounds easy, just try it at home!  Unless, of course, you’re a jazz drummer and if that’s the case you’ll find it easy, that is if you can sing.
We’ve also done a piece called Zimbabwe, where the song is an integral part of the piece.  This is easy to remember as alternate hands are used.  Every word of 1 syllable is played on the rim and words of more than 1 syllable (eg Zimbabwe) are played in the middle.  Easy Peasy so far, but then it turns out that there are about 4 other parts to the tune!
There are also hand bells in sets of 2 which are larger and louder than the agogo bells used in Samba drumming.  We’ve yet to tackle those.  But I’m sure all this is great for practising rhythms and teamwork in time for the next jazz jam.
Ann Alex

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