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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Sunday, January 12, 2014

Mark Williams Trio + Claude Werner @ Jazz Café January 11

Mark Williams (gtr); Paul Susans (bs.gtr); Richard Brown (dms) + Claude Werner (ten).
(Review by Lance)
I arrived early and although there were as yet few in attendance the signs were promising. Zoe Gilby's latest CD was playing in the background which was only right and proper as two thirds of tonight's trio were on the CD. Bottles of real ale jostled with the inevitable Peroni and, whilst the walls still need jazzing up a bit, overall the feel was good. As the free admission cut off time (9pm) approached the room filled up and by the time Williams and co hit the deck running there was a respectable sized audience.
The set comprised Mark Williams' originals that served to display the jovial Irishman's facility. Shades of Schofield and Metheny (as Russell pointed out) were interspersed with passages of soulful lyricism including one incredible stretched out cadenza-like break. In particular, Weird Waltz displayed the ease with which he coped with ever changing moods and modes. Unsure what Mark's final chord was  but it must have included ruptured ninths and flatulent fifths - a well named and brilliant composition!
Not that Mark was the only driver on the bus., in one of several fine bass guitar solos, Susans defied the prevailing winds with a solo of such rare and delicate beauty that the room became enveloped in a hushed silence before erupting with tumultuous applause.
Throughout all these contrasting emotions Richard Brown was rock solid, going with the flow until his moment arrived. Richard may look the epitome of cool but, beneath that outward demeanour, lurks a volcanic interior that, when ignited, erupts with such a rhythmic complexity the listener could be fooled into thinking he had an extra arm, maybe two.
Time to re-charge our glasses, exchange the latest jazz gossip and eagerly await the second set and the pre departure arrival of Claude Werner - surely Chile's greatest gift to Newcastle and I haven't overlooked the Robledo brothers (football reference)! Claude is heading south so this was his north-east swansong.
What can I say? He leaves behind a wonderful legacy. Tenor playing that exudes emotion, technique and just so much soul.  Surely he was born with a silver saxophone in his mouth! Man and machine as one - joined at the hip and I use the word advisedly.
From the opening belter via the rhapsodic You've Changed to the final Williams  opus Booze Blues (Bloos?) the Santiago Supersax left us with a night to remember,
not least the final exchanges with Mark which saw the pair musically entwined.
Phew!
Photos.
Lance.

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